Tengwar in the context of Tolkien's artwork


Tengwar in the context of Tolkien's artwork

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👉 Tengwar in the context of Tolkien's artwork

Tolkien's artwork was a key element of his creativity from the time when he began to write fiction. A professional philologist, J. R. R. Tolkien prepared a wide variety of materials to support his fiction, including illustrations for his Middle-earth fantasy books, facsimile artefacts, more or less "picturesque" maps, calligraphy, and sketches and paintings from life. Some of his artworks combined several of these elements.

In his lifetime, some of his artworks were included in his novels The Hobbit and The Lord of the Rings; others were used on the covers of different editions of these books. Posthumously, collections of his artworks have been published, and academics have begun to evaluate him as an artist as well as an author.

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Tengwar in the context of Fëanor

FĂ«anor (Quenya pronunciation: [ˈfɛ.anɔr]) is a fictional character in J. R. R. Tolkien's The Silmarillion. He creates the Tengwar script, the palantĂ­r seeing-stones, and the three Silmarils, the skilfully forged jewels that give the book their name and theme, triggering division and destruction. He is the eldest son of FinwĂ«, the King of the Noldor Elves, and his first wife MĂ­riel.

FĂ«anor's Silmarils form a central theme of The Silmarillion as Men and Elves battle with the forces of evil for their possession. After the Dark Lord Morgoth steals the Silmarils, FĂ«anor and his seven sons swear the Oath of FĂ«anor, vowing to fight anyone and everyone—whether Elf, Man, Maia, or Vala—who withholds the Silmarils.

View the full Wikipedia page for Fëanor
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