In fiction and mythology, a dark lord (sometimes capitalized as Dark Lord or referred to as an evil overlord or evil emperor) is an antagonistic archetype, acting as the pinnacle of villainy and evil within a typically heroic narrative.
In fiction and mythology, a dark lord (sometimes capitalized as Dark Lord or referred to as an evil overlord or evil emperor) is an antagonistic archetype, acting as the pinnacle of villainy and evil within a typically heroic narrative.
Fëanor (Quenya pronunciation: [ˈfɛ.anɔr]) is a fictional character in J. R. R. Tolkien's The Silmarillion. He creates the Tengwar script, the palantír seeing-stones, and the three Silmarils, the skilfully forged jewels that give the book their name and theme, triggering division and destruction. He is the eldest son of Finwë, the King of the Noldor Elves, and his first wife Míriel.
Fëanor's Silmarils form a central theme of The Silmarillion as Men and Elves battle with the forces of evil for their possession. After the Dark Lord Morgoth steals the Silmarils, Fëanor and his seven sons swear the Oath of Fëanor, vowing to fight anyone and everyone—whether Elf, Man, Maia, or Vala—who withholds the Silmarils.
The Lord of the Rings is an epic high fantasy novel written by the English author and scholar J. R. R. Tolkien. Set in Middle-earth, the story began as a sequel to Tolkien's 1937 children's book The Hobbit but eventually developed into a much larger work. Written in stages between 1937 and 1949, The Lord of the Rings is one of the best-selling books ever written, with over 150 million copies sold.
The title refers to the story's main antagonist, the Dark Lord Sauron, who in an earlier age created the One Ring, allowing him to rule the other Rings of Power given to men, dwarves, and elves, in his campaign to conquer all of Middle-earth. From homely beginnings in the Shire, a hobbit land reminiscent of the English countryside, the story ranges across Middle-earth, following the quest to destroy the One Ring, seen mainly through the eyes of the hobbits Frodo, Sam, Merry, and Pippin. Aiding the hobbits are the wizard Gandalf, the men Aragorn and Boromir, the elf Legolas, and the dwarf Gimli, who unite as the Company of the Ring to rally the Free Peoples of Middle-earth against Sauron's armies and give Frodo a chance to destroy the One Ring in the fires of Mount Doom.
Lord Voldemort (/ˈvoʊldəmɔːr/ VOHL-də-mor, /-mɔːrt/ -mort in the films) is a fictional character and the main antagonist in the Harry Potter series of novels by J. K. Rowling. He first appears in Harry Potter and the Philosopher's Stone (1997) and returns either in person or in flashbacks in each novel in the series except the third, Harry Potter and the Prisoner of Azkaban, in which he is only mentioned.
Voldemort, an anagrammatic sobriquet for his birth name Tom Marvolo Riddle, is the archenemy of Harry Potter, who according to a prophecy has "the power to vanquish the Dark Lord". After killing Harry's parents, Lily and James Potter, he attempts to murder the boy, but instead leaves him with a scar on his forehead in the shape of a lightning bolt. Nearly every witch or wizard dares not utter his name and refers to him instead with such monikers as "You-Know-Who", "He-Who-Must-Not-Be-Named", or The Dark Lord. Voldemort's obsession with blood purity signifies his aim to rid the wizarding world of Muggle (non-magical) heritage and to conquer both worlds, Muggle and wizarding, to achieve pure-blood dominance. Through his mother's family, he is the last descendant of the wizard Salazar Slytherin, one of the four founders of Hogwarts School of Witchcraft and Wizardry. He is the leader of the Death Eaters, a group of wizards and witches dedicated to ridding the Wizarding World of Muggles and establishing Voldemort as its supreme ruler.
Sauron (/ˈsaʊərɒn/) is the title character and the main antagonist in J. R. R. Tolkien's The Lord of the Rings, where he rules the land of Mordor. He has the ambition of ruling the whole of Middle-earth using the power of the One Ring, which he has lost and seeks to recapture. In the same work, he is identified as the "Necromancer" of Tolkien's earlier novel The Hobbit. The Silmarillion describes him as the chief lieutenant of the first Dark Lord, Morgoth. Tolkien noted that the Ainur, the "angelic" powers of his constructed myth, "were capable of many degrees of error and failing", but by far the worst was "the absolute Satanic rebellion and evil of Morgoth and his satellite Sauron". Sauron appears most often as "the Eye", as if disembodied.
Tolkien, while denying that absolute evil could exist, stated that Sauron came as near to a wholly evil will as was possible. Commentators have compared Sauron to the title character of Bram Stoker's 1897 novel Dracula, and to Balor of the Evil Eye in Irish mythology. Sauron is briefly seen in a humanoid form in Peter Jackson's film trilogy, which otherwise shows him as a disembodied, flaming Eye.
An orc (sometimes spelt ork; /ɔːrk/), is a fictional race of humanoid monsters often found in works of modern fantasy. Originally called "Goblins," the concept of modern orcs can be found in George MacDonald's The Princess and the Goblin, and later adapted into J. R. R. Tolkien's Middle-earth fantasy fiction, where the first uses of the word can be found.
In Tolkien's The Lord of the Rings, orcs appear as a brutish, aggressive, ugly, and malevolent race of monsters, contrasting with the benevolent Elves. He described their origins inconsistently, including as a corrupted race of elves, or bred by the Dark Lord Morgoth, or turned to evil in the wild. Tolkien's orcs serve as a conveniently wholly evil enemy that could be slaughtered without mercy.
The Return of the King is the third and final volume of J. R. R. Tolkien's The Lord of the Rings, following The Fellowship of the Ring and The Two Towers. It was published in 1955. The story begins in the kingdom of Gondor, which is soon to be attacked by the Dark Lord Sauron.
The volume was praised by literary figures including W. H. Auden, Anthony Price, and Michael Straight, but attacked by Edwin Muir, who had praised The Fellowship of the Ring.