Temple of Vesta in the context of "House of the Vestals"

Renaissance architecture is the European architecture of the period between the early 15th and early 16th centuries in different regions, demonstrating a conscious revival and development of certain elements of ancient Greek and Roman thought and material culture. Stylistically, Renaissance architecture followed Gothic architecture and was succeeded by Baroque architecture and neoclassical architecture.

Developed first in Florence, with Filippo Brunelleschi as one of its innovators, the Renaissance style quickly spread to other Italian cities. The style was carried to other parts of Europe at different dates and with varying degrees of impact. It began in Florence in the early 15th century and reflected a revival of classical Greek and Roman principles such as symmetry, proportion, and geometry. This movement was supported by wealthy patrons, including the Medici family and the Catholic Church, who commissioned works to display both religious devotion and political power. Architects such as Filippo Brunelleschi, Leon Battista Alberti, and later Andrea Palladio revolutionized urban landscapes with domes, columns, and harmonious facades. While Renaissance architecture flourished most in Italy, its influence spread across Europe reaching France, Spain, and the Low Countries adapting to local traditions. Public buildings, churches, and palaces became symbols of civic pride and imperial strength, linking humanism with empire-building.

Vestalia was a Roman religious festival in honor of Vesta, the goddess of the hearth and the burning continuation of the sacred fire of Rome. It was held from 7–15 June, and was reserved as a women's-only event.

Domestic and family life in general were represented by the festival of the goddess of the house and of the spirits of the storechamber — Vesta and the Penates — on Vestalia. On the first day of festivities the penus Vestae (sanctum sanctorum of the temple of Vesta which was usually curtained off) was opened, for the only time during the year, at which women offered sacrifices. As long as the curtain remained open, mothers could come, barefoot and disheveled, to leave offerings to the goddess in exchange for a blessing to them and their family.

The persecution of pagans under Theodosius I began in 381, after the first couple of years of his reign as co-emperor in the eastern part of the Roman Empire. In the 380s, Theodosius I reiterated the ban of Constantine the Great on animal sacrifices, prohibited haruspicy on animal sacrifice, pioneered the criminalization of magistrates who did not enforce anti-pagan laws, broke up some pagan associations and destroyed pagan temples.

Between 389 and 391, he issued the "Theodosian decrees", which established a practical ban on paganism; visits to the temples were forbidden, the remaining pagan holidays were abolished, the sacred fire in the Temple of Vesta in the Roman Forum was extinguished as the Vestal Virgins were disbanded, and auspices and witchcraft were deemed punishable offenses. Theodosius refused to restore the Altar of Victory in the Senate House, as requested by pagan Senators.

The Regia ("Royal house") was a two-part structure in Ancient Rome lying along the Via Sacra at the edge of the Roman Forum that originally served as the residence or one of the main headquarters of kings of Rome and later as the office of the pontifex maximus, the highest religious official of Rome. It occupied a triangular patch of terrain between the Temple of Vesta, the Temple of Divus Julius and Temple of Antoninus and Faustina. Only the foundations of Republican/Imperial Regia remain. Like the Curia it was destroyed and rebuilt several times, as far back as the Roman monarchy. Studies have found multiple layers of similar buildings with more regular features, prompting the theory that this "Republican Regia" was to have a different use.