Tathāgata in the context of "Buddhas and bodhisattvas in art"

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⭐ Core Definition: Tathāgata

Tathāgata (Sanskrit: [tɐˈtʰaːɡɐtɐ]), translated into Chinese as 如來 and English as Thus Come One, is a Pali and Sanskrit word used in ancient India for a person who has attained the highest religious goal. Gautama Buddha, the founder of Buddhism, used it when referring to himself or other past Buddhas in the Pāli Canon. Likewise, in the Mahayana corpus, it is an epithet of Shakyamuni Buddha and the other celestial buddhas. The term is often thought to mean either "one who has thus gone" (tathā-gata), "one who has thus come" (tathā-āgata), or sometimes "one who has thus not gone" (tathā-agata). This is interpreted as signifying that the Tathāgata is beyond all coming and going – beyond all transitory phenomena. There are, however, other interpretations and the precise original meaning of the word is not certain.

The Buddha is quoted on numerous occasions in the Pali Canon as referring to himself as the Tathāgata instead of using the pronouns me, I or myself. This may be meant to emphasize by implication that the teaching is uttered by one who has transcended the human condition, one beyond the otherwise endless cycle of rebirth and death, i.e. beyond dukkha.

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👉 Tathāgata in the context of Buddhas and bodhisattvas in art

The many different varieties of Buddhist art often show buddhas and bodhisattvas, as well as depictions of the historical Buddha, known as Gautama Buddha (or Siddhārtha Gautama, Śākyamuni, or Tathāgata).

Especially in Mahayana Buddhism, the main image in a temple or shrine often does not represent the historical Buddha, although the situation is complicated by Buddhist teachings such as trikaya beliefs by which buddhas, including the historical buddha, have different manifestations.

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Tathāgata in the context of Vairocana

Vairocana ("The Sun", "Solar" or "Shining" in Sanskrit), also known as Mahāvairocana (Great Sun), is a major Buddha from Mahayana and Vajrayana Buddhism. He is often compared to the Sun, because both bestow their light impartially upon all beings. However, unlike the Sun, whose light can be blocked, and which disappears at night, Vairocana's light is omnipresent, impossible to block, and shines eternally. Hence, he is called the "Great Sun". In East Asian Buddhism, Vairocana is called "大日如來" (Great Sun Thus Come One) or "毘盧遮那佛" (Vairocana Buddha).

In Mahayana and Vajrayana Buddhism, Vairocana is the Dharma-Body of all Buddhas (Dharma-Body is the true body of all Buddhas, equivalent to the Ultimate Reality), which is formless, omnipresent, self-existent, eternal, indestructible, unable to be defiled, and is the source of all manifestations. The historical Gautama Buddha is one of the emanation bodies of Vairocana Buddha.

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Tathāgata in the context of Vajrapani

Vajrapāṇi (Sanskrit; Pali: Vajirapāṇi, 'holder of the thunderbolt', lit. meaning, "Vajra in [his] hand") is one of the earliest-appearing bodhisattvas in Mahayana Buddhism. He is the protector and guide of Gautama Buddha and rose to symbolize the Buddha's power.

Vajrapāni is also called Chana Dorji and Chador and extensively represented in Buddhist iconography as one of the earliest three protective deities or bodhisattvas surrounding the Buddha. Each of them symbolizes one of the Buddha's virtues: Manjushri manifests all the Buddhas' wisdom, Avalokiteśvara manifests all the Buddhas' immense compassion, and Vajrapāni protects Buddha and manifests all the Buddhas' power as well as the power of all five tathāgatas (Buddhahood of the rank of Buddha).

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