Tate Gallery in the context of "Millbank"

Tate Britain, known from 1897 to 1932 as the National Gallery of British Art and from 1932 to 2000 as the Tate Gallery, is an art museum on Millbank in the City of Westminster in London, England. It is part of the Tate network of galleries in England, with Tate Modern, Tate Liverpool and Tate St Ives. Founded by Sir Henry Tate, it houses a substantial collection of the art of the United Kingdom since Tudor times, and in particular has large holdings of the works of J. M. W. Turner, who bequeathed all his own collection to the nation. It is one of the largest museums in the country. In 2021 it ranked 50th on the list of most-visited art museums in the world.

Sir Peter Thomas Blake CBE RDI RA (born 25 June 1932) is an English pop artist. He co-created the sleeve design for the Beatles' 1967 album Sgt. Pepper's Lonely Hearts Club Band. His other works include the covers for two of The Who's albums, the cover of the Band Aid single "Do They Know It's Christmas?", and the Live Aid concert poster. Blake also designed the 2012 Brit Award statuette.

Blake is a prominent figure in the pop art movement. Central to his paintings is his interest in images from popular culture, which have infused his collages. In 2002 he was knighted at Buckingham Palace for his services to art.

Portrait of William Ewart Gladstone is an 1879 portrait painting by the British artist John Everett Millais. It depicts the politician William Ewart Gladstone who served as Prime Minister four times. It was one of a series of portraits of leading figures Millais produced during the era, including his Portrait of Benjamin Disraeli featuring Gladstone's political rival. The work was initiated by Millais himself, rather than being commissioned and was then bought for a thousand pounds by the art dealer William Agnew who sold it ten days later to the Duke of Westminster.

The painting was displayed at the Royal Academy Exhibition of 1879 at Burlington House in London. Louisa Knightley described It as "undoubtedly the picture of the year" while Gladstone himself considered it a "a very fine work". It was A mezzotint was produced by the engraver Thomas Oldham Barlow, who submitted a version as his diploma work when elected to the Royal Academy of Arts in 1881. The original painting has been in the collection of the National Portrait Gallery since 1957, having previously been in the Tate Gallery.

John Crome (22 December 1768 – 22 April 1821), once known as Old Crome to distinguish him from his artist son John Berney Crome, was an English landscape painter of the Romantic era, one of the principal artists and founding members of the Norwich School of painters. He lived in the English city of Norwich for all his life. Most of his works are of Norfolk landscapes.

Crome's work is in the collections of public art galleries, including the Tate Gallery and the Royal Academy in London, and the Castle Museum in Norwich. He produced etchings and taught art.

A found object (a calque from the French objet trouvé), or found art, is art created from undisguised, but often modified, items or products that are not normally considered materials from which art is made, often because they already have a non-art function. Pablo Picasso first publicly utilized the idea when he pasted a printed image of chair caning onto his painting titled Still Life with Chair Caning (1912). Marcel Duchamp is thought to have perfected the concept several years later when he made a series of readymades, consisting of completely unaltered everyday objects selected by Duchamp and designated as art. The most famous example is Fountain (1917), a standard urinal purchased from a hardware store and displayed on a pedestal, resting on its back. In its strictest sense the term "readymade" is applied exclusively to works produced by Marcel Duchamp, who borrowed the term from the clothing industry (French: prêt-à-porter, lit. 'ready-to-wear') while living in New York, and especially to works dating from 1913 to 1921.

Found objects derive their identity as art from the designation placed upon them by the artist and from the social history that comes with the object. This may be indicated by either its anonymous wear and tear (as in collages of Kurt Schwitters) or by its recognizability as a consumer icon (as in the sculptures of Haim Steinbach). The context into which it is placed is also a highly relevant factor. The idea of dignifying commonplace objects in this way was originally a shocking challenge to the accepted distinction between what was considered art as opposed to not art. Although it may now be accepted in the art world as a viable practice, it continues to arouse questioning, as with the Tate Gallery's Turner Prize exhibition of Tracey Emin's My Bed, which consisted literally of a transposition of her unmade and disheveled bed, surrounded by shed clothing and other bedroom detritus, directly from her bedroom to the Tate. In this sense the artist gives the audience time and a stage to contemplate an object. As such, found objects can prompt philosophical reflection in the observer ranging from disgust to indifference to nostalgia to empathy.

Colonel Mordaunt's Cock Match, sometimes called Colonel Mordaunt's Cock Fight, is a painting by the German British artist Johann Zoffany. It records British colonial life in the Indian court of Asaf-Ud-Dowlah. The painting was completed in February 1788, four years after the event it records. The painting is part of the Tate Gallery collection. A recent cleaning has revealed the original colours and made more apparent what appears to be an erection visible on the Nawab of Oudh, the central figure.

Johan / Johann Joseph Zoffany RA (born Johannes Josephus Zaufallij; 13 March 1733 – 11 November 1810) was a German neoclassical painter who was active mainly in England, Italy, and India. His works appear in many prominent British collections, including the National Gallery, the Tate Gallery and the Royal Collection, as well as institutions in continental Europe, India, the United States and Australia. His name is sometimes spelled Zoffani or Zauffelij (on his grave, it is spelled Zoffanij).