National Portrait Gallery, London in the context of "Portrait of William Ewart Gladstone"

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⭐ Core Definition: National Portrait Gallery, London

The National Portrait Gallery (NPG) is an art gallery in London that houses a collection of portraits of historically important and famous British people. When it opened in 1856, it was arguably the first national public gallery in the world that was dedicated to portraits.

The gallery moved in 1896 to its current site at St Martin's Place, off Trafalgar Square, and adjoining the National Gallery. The National Portrait Gallery also has regional outposts at Beningbrough Hall in Yorkshire and Montacute House in Somerset. It is unconnected to the Scottish National Portrait Gallery in Edinburgh, with which its remit overlaps. The gallery is a non-departmental public body sponsored by the Department for Culture, Media and Sport.

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National Portrait Gallery, London in the context of Sexuality of William Shakespeare

The sexuality of William Shakespeare has been the subject of debate. It is known from public records that he married Anne Hathaway and had three children with her; scholars have examined their relationship through documents, and particularly through the bequests to her in his will. Some historians have speculated Shakespeare had affairs with other women, based on contemporaries' written anecdotes of such affairs and sometimes on the "Dark Lady" figure in his sonnets.

Some scholars have argued he was bisexual, based on analysis of the sonnets; many, including Sonnet 18, are love poems addressed to a man (the "Fair Youth"), and contain puns relating to homosexuality. Whereas, other scholars criticized this view stating that these passages are referring to platonic friendship, rather than sexual love. Another explanation is that the poems are not autobiographical but fiction, another of Shakespeare's "dramatic characterization[s]", so that the narrator of the sonnets should not be presumed to be Shakespeare himself.

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National Portrait Gallery, London in the context of Religious views of William Shakespeare

The religious views of William Shakespeare are the subject of an ongoing scholarly debate dating back more than 150 years. The general assumption about William Shakespeare's religious affiliation is that he was a conforming member of the established Church of England. However, many scholars have speculated about his personal religious beliefs, based on analysis of the historical record and of his published work, with claims that Shakespeare's family may have had Catholic sympathies and that he himself was a secret Catholic.

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National Portrait Gallery, London in the context of The Plumb-pudding in Danger

The Plumb-pudding in danger, or, State Epicures taking un Petit Souper is an 1805 editorial cartoon by the English artist James Gillray. The popular print depicts caricatures of the British Prime Minister William Pitt the Younger and the newly-crowned Emperor of France Napoleon, both wearing military uniforms, carving up a terrestrial globe into spheres of influence. It was published as a hand-coloured print and has been described by the National Portrait Gallery as "probably Gillray's most famous print" and by the British Library as "one of Gillray's most famous satires dealing with the Napoleonic wars".

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National Portrait Gallery, London in the context of James Gillray

James Gillray (13 August 1756 – 1 June 1815) was a British caricaturist and printmaker famous for his etched political and social satires, mainly published between 1792 and 1810. Many of his works are held at the National Portrait Gallery in London.

Gillray has been called "the father of the political cartoon", with his works satirizing George III, Napoleon, prime ministers and generals. Regarded as one of the two most influential cartoonists, the other being William Hogarth, Gillray's wit and humour, knowledge of life, fertility of resource, keen sense of the ludicrous, and beauty of execution, at once gave him the first place among caricaturists.

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National Portrait Gallery, London in the context of Vanity Fair (British magazine)

Vanity Fair was a British weekly magazine that was published from 1868 to 1914. Founded by Thomas Gibson Bowles in London, the magazine included articles on fashion, theatre, current events as well as word games and serial fiction. The cream of the period's "society magazines", it is best known for its witty prose and caricatures of famous people of Victorian and Edwardian society, including artists, athletes, royalty, statesmen, scientists, authors, actors, business people and scholars.

Taking its title from Thackeray's popular satire on early 19th-century British society, Vanity Fair was not immediately successful and struggled with competition from rival publications. Bowles then promised his readers "Some Pictorial Wares of an entirely novel character", and on 30 January 1869, a full-page caricature of Benjamin Disraeli appeared. This was the first of over 2,300 caricatures to be published. According to the National Portrait Gallery in London, "Vanity Fair's illustrations, instantly recognizable in terms of style and size, led to a rapid increase in demand for the magazine. It gradually became a mark of honour to be the 'victim' of one of its numerous caricaturists. Bowles's witty accompanying texts, full of insights and innuendoes, certainly contributed towards the popularity of these images".

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National Portrait Gallery, London in the context of Chandos portrait

The Chandos portrait is an oil painted portrait thought to depict William Shakespeare (1564–1616). Painted between 1600 and 1610, it may have served as the basis for the engraved portrait of Shakespeare used in the First Folio in 1623. It is named after the 3rd Duke of Chandos, who was a former owner. The portrait was given to the National Portrait Gallery, London, on its foundation in 1856, and it was the first portrait to be acquired for its collection.

It has not been possible to determine with certainty which artist painted the portrait, or whether it actually depicts Shakespeare. The attribution and the identification are both conjectures. However, the National Portrait Gallery believes that it "certainly fairly likely" does depict the writer.

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National Portrait Gallery, London in the context of Shakespeare's life

William Shakespeare was an actor, playwright, poet, and theatre entrepreneur in London during the late Elizabethan and early Jacobean eras. He was baptised on 26 April 1564 in Stratford-upon-Avon in Warwickshire, England, in the Holy Trinity Church. At the age of 18, he married Anne Hathaway, with whom he had three children. He died in his home town of Stratford on 23 April 1616, aged 52.

Though more is known about Shakespeare's life than those of most other Elizabethan and Jacobean writers, few personal biographical facts survive, which is unsurprising in the light of his social status as a commoner, the low esteem in which his profession was held, and the general lack of interest of the time in the personal lives of writers. Information about his life derives from public rather than private documents: vital records, real estate and tax records, lawsuits, records of payments, and references to Shakespeare and his works in printed and hand-written texts. Nevertheless, hundreds of biographies have been written and more continue to be, most of which rely on inferences and the historical context of the 70 or so hard facts recorded about Shakespeare the man, a technique that sometimes leads to embellishment or unwarranted interpretation of the documented record.

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National Portrait Gallery, London in the context of Lucy Peltz

Dr. Lucy Peltz is Head of Collection Displays (Tudor to Regency) and Senior Curator 18th Century Collections at the National Portrait Gallery, London.

Peltz studied History of Art and French at Sussex University, followed by an MA in the History of Art at the Courtauld Institute of Art. She completed her PhD at the University of Manchester in 1998. After working at the Museum of London, Peltz joined the National Portrait Gallery in 2001.

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National Portrait Gallery, London in the context of English novel

The English novel is an important part of English literature. This article mainly concerns novels, written in English, by novelists who were born or have spent a significant part of their lives in England, Scotland, Wales, or Northern Ireland (or any part of Ireland before 1922). However, given the nature of the subject, this guideline has been applied with common sense, and reference is made to novels in other languages or novelists who are not primarily British, where appropriate.

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