Talking drum in the context of "Omele ako"


Talking drum in the context of "Omele ako"

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⭐ Core Definition: Talking drum

The talking drum is an hourglass-shaped drum from West Africa, which can be used as a form of speech surrogacy by regulating its pitch and rhythm to mimic the tone and prosody of human speech. It has two drumheads connected by leather tension cords, which allow the player to change the pitch of the drum by scraping the cords between their arm and body.

Originating from the 18th century, talking drum players used tones to disseminate messages, such as news of ceremonies and commands, over 4-5 mile distances.

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👉 Talking drum in the context of Omele ako

The Sakara drum is one of the four major families of Yoruba drums of Nigeria. The other families are the Dundun/Gangan or talking drum, the Batá drum and the Gbedu drum.Each family includes drums of different sizes, with the mother drum (iya ilu) playing the lead role and other drums playing in support.The Sakara is also made and used by the Hausa people of northern Nigeria.

The Sakara is a shallow drum with a circular body made with baked clay. The clay shell is perhaps ten inches in diameter and one and a half inches deep, sloping inward funnel-wise towards the back. The skin is secured to the shell with twine and tuned using pegs spaced around its body.The men use goat skin to make the heads of these drums, or for the largest drum may use cow or antelope skin.The fingers of one hand change the tone of the drum, while the drummer hits the face of the drum with a stick. When several sakara drums are played together, the iya ilu is the main voice, and dictates the pace and rhythmic style. The fixed pitch omele ako and omele abo drums talk rhythmically, and the smaller and higher-toned omele "chord" drum adds flavour by playing varied pitches.

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