Taima mandala in the context of "Taima-dera"

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⭐ Core Definition: Taima mandala

The Taima Mandala (當麻曼荼羅,綴織当麻曼荼羅図) is an 8th century mandala in Japanese Pure Land Buddhism. It depicts Sukhavati, the western Pure Land, with the Buddha Amitābha (Japanese: Amida) in the center. The original copy was made around 763 AD, and is currently kept at Taima-dera temple in Nara. Many copies have been made since, and the original work has degraded considerably.

According to popular legend, Chūjō-hime witnessed the creation of the mandala, crafted from fibers of lotus stems by two nuns who were thought to be Amida and Kannon in disguise. The imagery on the painting is largely based on the Sutra of the Contemplation of Amitayus, and has been the subject of several doctrinal commentaries in Japanese Buddhism.

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Taima mandala in the context of Pure Land

Pure Land is a Mahayana Buddhist concept referring to a transcendent realm emanated by a buddha or bodhisattva which has been purified by their activity and sustaining power. Pure lands are said to be places without the sufferings of samsara and to be beyond the three planes of existence. Many Mahayana Buddhists aspire to be reborn in a Buddha's pure land after death.

The term "Pure Land" is particular to East Asian Buddhism (Chinese: 淨土; pinyin: Jìngtǔ). In Sanskrit Buddhist sources, the equivalent concept is called a buddha-field (buddhakṣetra) or more technically a pure buddha-field (viśuddha-buddhakṣetra). It is also known by the Sanskrit term buddhabhūmi (Buddha land). In Tibetan Buddhism meanwhile, the term "pure realms" (Tibetan: དག་པའི་ཞིང Wylie: dag pa'i zhing) is also used as a synonym for buddhafield.

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