T.S. Eliot in the context of "Paterson (poem)"

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👉 T.S. Eliot in the context of Paterson (poem)

Paterson is an epic poem by American poet William Carlos Williams published, in five volumes, from 1946 to 1958. The origin of the poem was an eighty-five line long poem written in 1926, after Williams had read and been influenced by James Joyce's novel Ulysses. As he continued writing lyric poetry, Williams spent increasing amounts of time on Paterson, honing his approach to it both in terms of style and structure. While The Cantos of Ezra Pound and The Bridge by Hart Crane could be considered partial models, Williams was intent on a documentary method that differed from both these works, one that would mirror "the resemblance between the mind of modern man and the city."

While Williams might or might not have said so himself, commentators such as Christoper Beach and Margaret Lloyd have called Paterson his response to T.S. Eliot's The Waste Land and Pound's Cantos. The long gestation time of Paterson before its first book was published was due in large part to Williams's honing of prosody outside of conventional meter and his development of an overall structure that would stand on a par with Eliot and Pound yet remain endemically American, free from past influences and older forms.

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T.S. Eliot in the context of American poetry

American poetry refers to the poetry of the United States. It arose first as efforts by American colonists to add their voices to English poetry in the 17th century, well before the constitutional unification of the Thirteen Colonies (although a strong oral tradition often likened to poetry already existed among Native American societies). Most of the early colonists' work was similar to contemporary English models of poetic form, diction, and theme. However, in the 19th century, an American idiom began to emerge. By the later part of that century, poets like Walt Whitman were winning an enthusiastic audience abroad and had joined the English-language avant-garde.

Much of the American poetry published between 1910 and 1945 remains lost in the pages of small circulation political periodicals, particularly the ones on the far left, destroyed by librarians during the 1950s McCarthy era. Modernist poets like Ezra Pound and T.S. Eliot (who was awarded the Nobel Prize in Literature in 1948) are often cited as creative and influential English-language poets of the first half of the 20th century. African American and women poets were published and read widely in the same period but were often somewhat prejudicially marginalized. By the 1960s, the Beat Movement and Black Mountain poets had developed new models for poetry and their contemporaries influenced the British Poetry Revival. Towards the end of the millennium, consideration of American poetry had diversified, as scholars placed an increased emphasis on poetry by women, African Americans, Hispanics, Chicanos, Native Americans, and other ethnic groups. Louise Glück and Bob Dylan have been awarded the Nobel Prize in Literature

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T.S. Eliot in the context of David Gerstein

David Gerstein (born February 6, 1974) is an American comics author and editor as well as an animation historian. Gerstein has five books and countless comic book credits to his name. He has written many Disney comics stories, usually featuring Mickey Mouse and/or Donald Duck and provided American English script doctoring for Mickey and Donald stories that were originally written in a different language. Past employments include Egmont Creative A/S, a Danish comics studio, and Gemstone Publishing. His current work is with various affiliates of Egmont, and Fantagraphics Books.

Recurring gags in Gerstein's writing (both original stories and script doctoring of others') include quotations from Shakespeare, Gilbert and Sullivan, and T.S. Eliot, often paraphrased in a humorous manner.

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