Tōdai-ji in the context of "Nanto Shichi Daiji"

Nara (奈良市, Nara-shi; Japanese pronunciation: [naꜜ.ɾa, na.ɾaꜜ.ɕi] ) is the capital city of Nara Prefecture, Japan. As of 2022, Nara has an estimated population of 367,353 according to World Population Review, making it the largest city in Nara Prefecture and sixth-largest in the Kansai region of Honshu. Nara is a core city located in the northern part of Nara Prefecture bordering the Kyoto Prefecture.

Nara was the capital of Japan during the Nara period from 710 to 784 as the seat of the Emperor before the capital was moved to Nagaoka-kyō, except for the years 740 to 745, when the capital was placed in Kuni-kyō, Naniwa-kyō and Shigaraki Palace. Nara is home to eight major historic temples, shrines, and heritage sites, specifically Tōdai-ji, Saidai-ji, Kōfuku-ji, Kasuga Shrine, Gangō-ji, Yakushi-ji, Tōshōdai-ji, and the Heijō Palace, together with Kasugayama Primeval Forest, collectively form the Historic Monuments of Ancient Nara, a UNESCO World Heritage Site.

Daibutsu (大仏; kyūjitai: 大佛) or 'giant Buddha' is the Japanese term, often used informally, for large statues of Buddha. The oldest is that at Asuka-dera (609) and the best-known is that at Tōdai-ji in Nara (752). The Tōdai-ji Daibutsu is a part of the UNESCO World Heritage Site as one of the seven Historic Monuments of Ancient Nara and a National Treasure.

Main hall or Main Temple is the building within a Japanese Buddhist monastery compound (garan) which enshrines the main object of veneration. Because the various denominations deliberately use different terms, this single English term translates several Japanese words, among them butsuden, butsu-dō, kondō, konpon-chūdō, and hondō. Hondō is its exact Japanese equivalent, while the others are more specialized words used by particular sects or for edifices having a particular structure.

Nara Park (Japanese: 奈良公園, Hepburn: Nara Kōen) is a public park located in the city of Nara, Japan, at the foot of Mount Wakakusa. Established in 1880, it is one of the oldest parks in Japan. Administratively, the park is under the control of Nara Prefecture. The park is one of the "Places of Scenic Beauty" designated by the Ministry of Education, Culture, Sports, Science and Technology (MEXT). Over 1,200 wild sika deer (シカ or 鹿 shika) freely roaming around in the park are also under designation of MEXT, classified as natural treasure. While the official size of the park is about 502 hectares (1,240 acres), the area including the grounds of Tōdai-ji, Kōfuku-ji, Kasuga Grand Shrine and Nara National Museum, which are either on the edge or surrounded by Nara Park, is as large as 660 hectares (1,600 acres).

Nara Park began in 1880, when a 14-hectare area within the grounds of Kōfuku-ji, which was government-owned land, was designated as a park. In 1889, Todai-ji, Kasugano and mountainous areas such as Mount Wakakusa were added, expanding the park to 535 hectares. From 1949 to 1951, the park designation within the temple grounds was revoked, reducing the area to 500 hectares. In 1960, it was officially designated as Nara Park under the Urban Park Act, with an area of 502 hectares.

Dōkyō (道鏡; 700 – May 13, 772) was a Japanese monk who rose to power through the favor of Empress Kōken (Empress Shōtoku) and became a Daijō-daijin Zenji, the rank set up for him, and later became a Hōō, the highest rank of the religious world.

He served Ryoben at Tōdai-ji. He was favored by retired empress Kōken for nursing her and healing her illness. After the Fujiwara no Nakamaro Rebellion, Kōken came to the throne again as Empress Shōtoku, and Dōkyō became Daijō-daijin and then Hōō, and wielded great power. He also attempted to take advantage of the oracle of Usa Hachiman to assume the position of emperor, but was blocked by Wake no Kiyomaro. He lost his position after the death of Empress Shōtoku and was sent to Shimotsuke Yakushi-ji.

Sculpture in Japan began with the clay figure. Towards the end of the long Neolithic Jōmon period, "flame-rimmed" pottery vessels had sculptural extensions to the rim, and very stylized pottery dogū figures were produced, many with the characteristic "snow-goggle" eyes. During the Kofun period of the 3rd to 6th century CE, haniwa terracotta figures of humans and animals in a simplistic style were erected outside important tombs. The arrival of Buddhism in the 6th century brought with it sophisticated traditions in sculpture, Chinese styles mediated via Korea. The 7th-century Hōryū-ji and its contents have survived more intact than any East Asian Buddhist temple of its date, with works including a Shaka Trinity of 623 in bronze, showing the historical Buddha flanked by two bodhisattvas and also the Guardian Kings of the Four Directions.

Jōchō is said not only to be one of the greatest Buddhist sculptors in the Heian period but also in the history of Buddhist statues in Japan. Jōchō redefined the body shape of Buddha statues by perfecting the technique of yosegi zukuri (寄木造り) which is a combination of several woods. The peaceful expression and graceful figure of the Buddha statue that he made completed a Japanese style of sculpture of Buddha statues called Jōchō yō ('Jōchō style', 定朝様) and determined the style of Japanese Buddhist statues of the later period. His achievement dramatically raised the social status of busshi (Buddhist sculptor) in Japan.