Swing (jazz performance style) in the context of "Kansas City jazz"

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👉 Swing (jazz performance style) in the context of Kansas City jazz

Kansas City jazz is a style of jazz that developed in Kansas City, Missouri during the 1920s and 1930s, which marked the transition from the structured big band style to the much more improvisational style of bebop. The hard-swinging, bluesy transition style is bracketed by Count Basie, who in 1929 signed with Bennie Moten's Kansas City Orchestra, and Kansas City native Charlie Parker, who promoted the bebop style in America.

Kansas City is known as one of the most popular "cradles of jazz". Other cities include New Orleans, Chicago, St. Louis, Philadelphia, and New York City. Kansas City was known for the organized musicians of the Local 627 A.F.M., which controlled a number of venues in the city. Almost every jazz history depicts Kansas City jazz as a fertile ground for the development of big bands, virtuosic performances, and legendary performers. In the 1920s was a Great Migration from the south and the search for musical work in Kansas City, Missouri, where the Black population rose from 23,500 to 42,000 between 1912 and 1940. Russell, Diggs, and Pearson have well documented how the vice district expanded within black neighborhoods of Kansas City, resulting in economic success for jazz musicians. Many musicians from the Southwest moved to Kansas City for its plentiful jobs. "Nightclubs in Kansas City served up prostitution, gambling, and narcotics along with liquor".

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Swing (jazz performance style) in the context of Groove (popular music)

In music, groove is the sense of an effect ("feel") of changing pattern in a propulsive rhythm or sense of "swing". In jazz, it can be felt as a quality of persistently repeated rhythmic units, created by the interaction of the music played by a band's rhythm section (e.g. drums, electric bass or double bass, guitar, and keyboards). Groove is a significant feature of popular music, and can be found in many genres, including salsa, rock, soul, funk, and fusion.

From a broader ethnomusicological perspective, groove has been described as "an unspecifiable but ordered sense of something that is sustained in a distinctive, regular and attractive way, working to draw the listener in." Musicologists and other scholars have analyzed the concept of "groove" since around the 1990s. They have argued that a "groove" is an "understanding of rhythmic patterning" or "feel" and "an intuitive sense" of "a cycle in motion" that emerges from "carefully aligned concurrent rhythmic patterns" that stimulates dancing or foot-tapping on the part of listeners. The concept can be linked to the sorts of ostinatos that generally accompany fusions and dance musics of African derivation (e.g. African-American, Afro-Cuban, Afro-Brazilian, etc.).

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Swing (jazz performance style) in the context of Ska stroke

The ska stroke up or ska upstroke, skank or bang, is a guitar strumming technique that is used mostly in the performance of ska, rocksteady, and reggae music. It is derived from a form of rhythm and blues arrangement called the shuffle, a popular style in Jamaican blues parties of the 1940s, 1950s and 1960s.

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