Surrealist cinema in the context of "Anemic Cinema"

Surrealism is an art and cultural movement that developed in Europe in the aftermath of World War I in which artists aimed to allow the unconscious mind to express itself, often resulting in the depiction of illogical or dreamlike scenes and ideas. Its intention was, according to leader André Breton, to "resolve the previously contradictory conditions of dream and reality into an absolute reality, a super-reality", or surreality. It produced works of painting, writing, photography, theatre, filmmaking, music, comedy and other media as well.

Works of Surrealism feature the element of surprise, unexpected juxtapositions and non sequitur. However, many Surrealist artists and writers regard their work as an expression of the philosophical movement first and foremost (for instance, of the "pure psychic automatism" Breton speaks of in the first Surrealist Manifesto), with the works themselves being secondary, i.e., artifacts of surrealist experimentation. Leader Breton was explicit in his assertion that Surrealism was, above all, a revolutionary movement. At the time, the movement was associated with political causes such as communism and anarchism. It was influenced by the Dada movement of the 1910s.

Beauty and the Beast (French: La Belle et la Bête – also the UK title) is a 1946 French surrealist romantic fantasy film directed by French poet and filmmaker Jean Cocteau. Starring Josette Day as Belle and Jean Marais as the Beast, it is an adaptation of the 1757 story Beauty and the Beast, written by Jeanne-Marie Leprince de Beaumont and published as part of a fairy tale anthology.

The plot of Cocteau's film revolves around Belle's father, who is sentenced to death for picking a rose from the Beast's garden. Belle offers to go back to the Beast in her father's place. The Beast falls in love with her and proposes marriage on a nightly basis, which she refuses. Belle eventually becomes more drawn to the Beast, who tests her by letting her return home to her family, and telling her that if she does not return to him within a week, he will die of grief.

Luis Buñuel Portolés (Spanish: [ˈlwis βuˈɲwel poɾtoˈles]; 22 February 1900 – 29 July 1983) was a Spanish and Mexican filmmaker who worked in France, Mexico, and Spain. He has been widely considered by many film critics, historians, and directors to be one of the greatest and most influential filmmakers of all time. Buñuel's works are known for their avant-garde surrealism which was also infused with political commentary.

Often associated with the surrealist movement of the 1920s, Buñuel's career spanned the 1920s through the 1970s. He collaborated with prolific surrealist painter Salvador Dalí on Un Chien Andalou (1929) and L'Age d'Or (1930). Both films are considered masterpieces of surrealist cinema. From 1947 to 1960, he honed his skills as a director in Mexico, making grounded and human melodramas such as Gran Casino (1947), Los Olvidados (1950), and Él (1953). Here is where he gained the fundamentals of storytelling.

Un Chien Andalou (French pronunciation: [œ̃ ʃjɛ̃ ɑ̃dalu], An Andalusian Dog) is a 1929 French silent short film directed, produced and edited by Luis Buñuel, who also co-wrote the screenplay with Salvador Dalí. Buñuel's first film, it was initially released in a limited capacity at Studio des Ursulines in Paris, but became popular and ran for eight months.

Un Chien Andalou has no plot in the conventional sense of the word. With disjointed chronology, jumping from the initial "once upon a time" to "eight years later" without events or characters changing, it uses dream logic in narrative flow that can be described in terms of the then-popular Freudian free association, presenting a series of tenuously related scenes. Un Chien Andalou is a seminal work of surrealist cinema.

The Trigger Effect is a 1996 American thriller film written and directed by David Koepp (in his feature directorial debut) and starring Kyle MacLachlan, Elisabeth Shue and Dermot Mulroney. The film follows the downward spiral of society during a widespread and lengthy power outage in Southern California. The film was inspired by the 1978 documentary television series Connections, and the 1960 The Twilight Zone episode "The Monsters Are Due on Maple Street", which starred Koepp's uncle, actor Claude Akins.

The Trigger Effect explores the idea that a simple power outage can potentially trigger a chain of largely unfavorable events, implying that modern society cannot live peacefully together without technology. Most of the film was shot in Los Angeles, where Koepp was based at the time. The film grossed $3.6 million in a limited theatrical release in the United States and drew mixed reviews from critics, who highlighted its surreal and enveloping style as well as the performances by the lead actors. Criticism was targeted at its safe and predictable ending. A novel based on the film and written by Dewey Gram was released in September 1996 by Berkley Books.