Surrealist automatism in the context of "André Breton"

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⭐ Core Definition: Surrealist automatism

Surrealist automatism is a method of art-making in which the artist suppresses conscious control over the making process, allowing the unconscious mind to have great sway. This drawing technique was popularized in the early 1920s, by André Masson and Hans Arp.

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👉 Surrealist automatism in the context of André Breton

André Robert Breton (/brəˈtɔːn/; French: [ɑ̃dʁe ʁɔbɛʁ bʁətɔ̃]; 19 February 1896 – 28 September 1966) was a French writer and poet, known as a principal theorist and co-founder of surrealism. His writings include the first Surrealist Manifesto (Manifeste du surréalisme) of 1924, in which he defined surrealism as "pure psychic automatism".

Along with his role as leader of the surrealist movement he is the author of celebrated books such as Nadja and L'Amour fou. Those activities, combined with his critical and theoretical work on writing and the plastic arts, made André Breton a major figure in 20th-century French art and literature.

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Surrealist automatism in the context of Surrealist music

Surrealist music is music which uses unexpected juxtapositions and other surrealist techniques. Discussing Theodor W. Adorno, Max Paddison defines surrealist music as that which "juxtaposes its historically devalued fragments in a montage-like manner which enables them to yield up new meanings within a new aesthetic unity", though Lloyd Whitesell says this is Paddison's gloss of the term. Anne LeBaron cites automatism, including improvisation, and collage as the primary techniques of musical surrealism. According to Whitesell, Paddison quotes Adorno's 1930 essay "Reaktion und Fortschritt" as saying "Insofar as surrealist composing makes use of devalued means, it uses these as devalued means, and wins its form from the 'scandal' produced when the dead suddenly spring up among the living."

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Surrealist automatism in the context of Les Champs magnétiques

Les Champs magnétiques (The Magnetic Fields) is a 1920 book by André Breton and Philippe Soupault. It is famous as the first work of literary Surrealism. The authors used a surrealist automatic writing technique.

The book is considered Surrealist, rather than Dadaist, because it attempts to create something new rather than react to an existing work.

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Surrealist automatism in the context of Surrealist techniques

Surrealism in art, poetry, and literature uses numerous techniques and games to provide inspiration. Many of these are said to free imagination by producing a creative process free of conscious control. The importance of the unconscious as a source of inspiration is central to the nature of surrealism.

The Surrealist movement has been a fractious one since its inception. The value and role of the various techniques has been one of many subjects of disagreement. Some Surrealists consider automatism and games to be sources of inspiration only, while others consider them starting points for finished works. Others consider the items created through automatism to be finished works themselves, needing no further refinement.

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