Sturm und Drang in the context of "Music of Germany"

Johann Wolfgang von Goethe (28 August 1749 – 22 March 1832) was a German polymath who is widely regarded as the most influential writer in the German language. His work has had a wide-ranging influence on literary, political, and philosophical thought in the Western world from the late 18th century to the present. A poet, playwright, novelist, scientist, statesman, theatre-director, and critic, Goethe wrote a wide range of works, including plays, poetry and aesthetic criticism, as well as treatises on botany, anatomy, and colour.

Goethe took up residence in Weimar in 1775 following the success of his first novel, The Sorrows of Young Werther (1774), and joined a thriving intellectual and cultural environment under the patronage of Duchess Anna Amalia that formed the basis of Weimar Classicism. He was ennobled by Karl August, Duke of Saxe-Weimar, in 1782. Goethe was an early participant in the Sturm und Drang literary movement. During his first ten years in Weimar, Goethe became a member of the Duke's privy council (1776–1785), sat on the war and highway commissions, oversaw the reopening of silver mines in nearby Ilmenau, and implemented a series of administrative reforms at the University of Jena. He also contributed to the planning of Weimar's botanical park and the rebuilding of its Ducal Palace.

The Robbers (Die Räuber, German pronunciation: [diː ˈʁɔʏbɐ] ) is the first dramatic play by German playwright Friedrich Schiller. The play was published in 1781 and premiered on 13 January 1782 in Mannheim and was inspired by Leisewitz's earlier play Julius of Taranto. It was written towards the end of the German Sturm und Drang ("Storm and Stress") movement, and many critics, such as Peter Brooks, consider it very influential in the development of European melodrama. The play astounded its Mannheim audience and made Schiller an overnight sensation. It later became the basis for Verdi's opera of the same name, I masnadieri.

The Sorrows of Young Werther ([ˈveːɐ̯tɐ]; German: Die Leiden des jungen Werthers), or simply Werther, is a 1774 epistolary novel by Johann Wolfgang Goethe, which appeared as a revised edition in 1787. It was one of the main novels in the Sturm und Drang period in German literature, and influenced the later Romantic movement. Goethe, aged 24 at the time, finished Werther in five and a half weeks of intensive writing in January to March 1774. It instantly placed him among the foremost international literary celebrities and was among the best known of his works.

The novel was inspired by Goethe's personal life, and involving triangular relationships of real people. One triangular relationship involved Goethe, Christian Kestner, and Charlotte Buff (who married Kestner); and the other involved Goethe, Peter Anton Brentano, Maximiliane von La Roche (who married Brentano), and Karl Wilhelm Jerusalem. Jerusalem committed suicide on the night of Oct 29 or 30, 1772. He shot himself in the head with a pistol borrowed from Kestner. These events are fictionalized to describe the emotional tumult of the titular character Werther, who kills himself in despair after he falls in love with a woman engaged to another man.

Weimar Classicism (German: Weimarer Klassik) was a German literary and cultural movement, whose practitioners established a new humanism from the synthesis of ideas from Romanticism, Classicism, and the Age of Enlightenment. It was named after the city of Weimar in the Duchy of Saxe-Weimar because its leading authors lived there.

The Weimarer Klassik movement began in 1771 when Duchess Anna Amalia of Brunswick-Wolfenbüttel invited the Seyler Theatre Company led by Abel Seyler, pioneers of the Sturm und Drang movement, to her court in Weimar. The Seyler company was soon thereafter followed by Christoph Martin Wieland, then Johann Wolfgang von Goethe, Johann Gottfried Herder and finally Friedrich Schiller. The movement was eventually centred upon Goethe and Schiller, previously also exponents of the Sturm und Drang movement, during the period of 1786–1805.

German literature (German: Deutschsprachige Literatur) comprises those literary texts written in the German language. This includes literature written in Germany, Austria, the German parts of Switzerland and Belgium, Liechtenstein, Luxembourg, South Tyrol in Italy and to a lesser extent works of the German diaspora. German literature of the modern period is mostly in Standard German, but there are some currents of literature influenced to a greater or lesser degree by dialects (e.g. Alemannic).

Medieval German literature is literature written in Germany, stretching from the Carolingian dynasty; various dates have been given for the end of the German literary Middle Ages, the Reformation (1517) being the last possible cut-off point. The Old High German period is reckoned to run until about the mid-11th century; the most famous works are the Hildebrandslied and a heroic epic known as the Heliand. Middle High German starts in the 12th century; the key works include The Ring (c. 1410) and the poems of Oswald von Wolkenstein and Johannes von Tepl. The Baroque period (1600 to 1720) was one of the most fertile times in German literature. Modern literature in German begins with the authors of the Enlightenment (such as Herder). The Sensibility movement of the 1750s–1770s ended with Goethe's best-selling The Sorrows of Young Werther (1774). The Sturm und Drang and Weimar Classicism movements were led by Johann Wolfgang von Goethe and Friedrich Schiller. German Romanticism was the dominant movement of the late 18th and early 19th centuries.

Abel Seyler (23 August 1730, Liestal – 25 April 1800, Rellingen) was a Swiss-born theatre director and former merchant banker, who was regarded as one of the great theatre principals of 18th century Europe. He played a pivotal role in the development of German theatre and opera, and was considered "the leading patron of German theatre" in his lifetime. He supported the development of new works and experimental productions, helping to establish Hamburg as a center of theatrical innovation and to establish a publicly funded theater system in Germany. Working with some of Germany's foremost actors and playwrights of his era, he is credited with pioneering a new more realist style of acting, introducing Shakespeare to a German language audience, and with promoting the concept of a national theatre in the tradition of Ludvig Holberg, the Sturm und Drang playwrights, and serious German opera, becoming the "primary agent for change in the German opera scene" in the late 18th century. Already in his lifetime, he was described as "one of German art's most meritorious men."

The son of a Basel Reformed priest, Seyler moved to London and then to Hamburg as a young adult, and established himself as a merchant banker in the 1750s. During the Seven Years' War and its immediate aftermath his bank Seyler & Tillemann engaged in an ever-increasing and complex, "malicious" speculation with financial instruments and went spectacularly bankrupt with enormous debts in the wake of the Amsterdam banking crisis of 1763, resulting in a decade of expansive litigation. Although they were wealthy bankers, Seyler and his business partner were "in no way representatives of the Hamburg bourgeoisie." A flamboyant bon vivant who was regarded with suspicion in Hamburg, Seyler symbolized a new and more aggressive form of capitalism.

Johann Anton Leisewitz (9 May 1752 – 10 September 1806) was a German lawyer and dramatic poet, and a central figure of the Sturm und Drang era. He is best known for his only play Julius of Taranto (1774). The play, with its theme of the conflict between two brothers and the woman loved by both, is one of the most characteristic of the Sturm und Drang era. It was a major inspiration on Friedrich Schiller and especially his quintessential Sturm und Drang work The Robbers (1781).

Julius of Taranto, also known as Julius of Tarent (German: Julius von Tarent), is a dramatic tragedy by Johann Anton Leisewitz, published in 1774. The play, with its theme of the conflict between two brothers and the woman loved by both, is one of the most characteristic of the Sturm und Drang era.

The play is strongly inspired by Shakespeare, was a favourite of Friedrich Schiller and much acted in Germany in the 1770s. Its central theme is the struggle between the two princes Julius and Guido of Taranto (Tarent in German) for the affections of commoner Blanca.