Stream of consciousness (narrative mode) in the context of "Narrative mode"

Dorothy Miller Richardson (17 May 1873 – 17 June 1957) was a British author and journalist. Author of Pilgrimage, a sequence of 13 semi-autobiographical novels published between 1915 and 1967—though Richardson saw them as chapters of one work—she was one of the earliest modernist novelists to use stream of consciousness as a narrative technique. Richardson also emphasises in Pilgrimage the importance and distinct nature of female experiences. The title Pilgrimage alludes not only to "the journey of the artist ... to self-realisation but, more practically, to the discovery of a unique creative form and expression".

Hopscotch (Spanish: Rayuela) is a novel by Argentine writer Julio Cortázar. Written in Paris, it was published in Spanish in 1963 and in English in 1966. For the first U.S. edition, translator Gregory Rabassa split the inaugural National Book Award in the translation category.

Widely regarded as one of the greatest, most innovative and influential Latin American novels, Hopscotch is a stream-of-consciousness novel which is advised to be read according to two (or three) different sequences of chapters; the third being read with chapters in any order. This novel is often referred to as a counter-novel, as it was by Cortázar himself. It meant an exploration with multiple endings, a neverending search through unanswerable questions.

"Ode to the Confederate Dead" is a long poem by the American poet-critic Allen Tate. It was first published in The American Caravan: A Yearbook of American Literature in 1927, and then collected in Tate's first book of poems, Mr. Pope and Other Poems, in 1928. It is one of Tate's best-known poems and considered by some critics to be his most important. Heavily influenced by the work of T. S. Eliot, this Modernist poem takes place in a graveyard in the South where the narrator grieves the loss of the Confederate soldiers buried there. However, unlike the "ode" to the Confederate dead written by the 19th-century American poet Henry Timrod, Tate's "Ode" is not a straightforward ode. Instead, Tate uses the graveyard and the dead Confederate soldiers as a metaphor for his narrator's troubled state of mind, and the poem charts the narrator's dark stream of consciousness, as he contemplates (or tries to avoid contemplating) his own mortality.