Stratford upon Avon in the context of "West Midlands conurbation"

The West Midlands is one of nine official regions of England at the first level of International Territorial Level for statistical purposes. It covers the western half of the area known traditionally as the Midlands. The region consists of the counties of Herefordshire, Shropshire, Staffordshire, Warwickshire, West Midlands and Worcestershire. The region has seven cities: Birmingham, Coventry, Hereford, Lichfield, Stoke-on-Trent, Wolverhampton and Worcester.

The West Midlands region is geographically diverse, from the urban central areas of the West Midlands conurbation to the rural counties of Herefordshire, Shropshire which border Wales, and Worcestershire. The region is landlocked; however, the longest river in the UK, the River Severn, traverses the region south-eastwards, flowing through the county towns of Shrewsbury and Worcester, and the Ironbridge Gorge, a UNESCO World Heritage Site. Staffordshire is home to the industrialised Potteries conurbation, including the city of Stoke-on-Trent and the Staffordshire Moorlands area, which borders the south-eastern Peak District National Park near Leek. The region also encompasses five Areas of Outstanding Natural Beauty: the Wye Valley, Shropshire Hills, Cannock Chase, Malvern Hills and parts of the Cotswolds. Warwickshire is home to the towns of Stratford upon Avon, birthplace of writer William Shakespeare; Rugby, the birthplace of Rugby football; and Nuneaton, birthplace to author George Eliot.

No contemporary physical description of William Shakespeare is known to exist. The two portraits of him that are the most famous (both of which may be posthumous) are the engraving that appears on the title-page of the First Folio, published in 1623, and the sculpture that adorns his memorial in Stratford upon Avon, which dates from before 1623. Experts and critics have argued that several other paintings from the period may represent him, and more than 60 portraits purporting to be of Shakespeare were offered for sale to the National Portrait Gallery within four decades of its foundation in 1856, but in none of them has Shakespeare's identity been proven.

There is no concrete evidence that Shakespeare ever commissioned a portrait. However, it is thought that portraits of him did circulate during his lifetime because of a reference to one in the anonymous play Return from Parnassus (c. 1601), in which a character says "O sweet Mr Shakespeare! I'll have his picture in my study at the court."