Stefan Zweig in the context of "University of Vienna"

⭐ In the context of the University of Vienna, Stefan Zweig is considered…

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⭐ Core Definition: Stefan Zweig

Stefan Zweig (/zwɡ, swɡ/ ZWYGHE, SWYGHE; German: [ˈʃtɛfan t͡svaɪ̯k] or Austrian German: [t͡svaɪ̯g]; 28 November 1881 – 22 February 1942) was an Austrian writer. At the height of his literary career in the 1920s and 1930s, he was one of the most widely translated and popular writers in the world.

Born into a Jewish family, Zweig was raised in Vienna, Austria-Hungary. He wrote historical studies of famous literary figures, such as Honoré de Balzac, Charles Dickens, and Fyodor Dostoevsky in Drei Meister (1920; Three Masters), and decisive historical events in Decisive Moments in History (1927). He wrote biographies of Joseph Fouché (1929), Mary Stuart (1935) and Marie Antoinette (Marie Antoinette: The Portrait of an Average Woman, 1932), among others. Zweig's best-known fiction includes Letter from an Unknown Woman (1922), Amok (1922), Fear (1925), Confusion of Feelings (1927), Twenty-Four Hours in the Life of a Woman (1927), the psychological novel Ungeduld des Herzens (Beware of Pity, 1939), and The Royal Game (1941).

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👉 Stefan Zweig in the context of University of Vienna

The University of Vienna (German: Universität Wien, Austrian German: [univɛrsiˈtɛːt ˈviːn]) is a public research university in Vienna, Austria. Founded by Duke Rudolph IV in 1365, it is the oldest university in the German-speaking world and among the largest institutions of higher learning in Europe.

The University of Vienna is associated with 17 Nobel Prize laureates and has been home to numerous scholars of historical and academic significance, including Erwin Schrödinger, Karl Popper, Stefan Zweig, Friedrich Hayek, Gustav Mahler, Sigmund Freud, Gregor Mendel, Ludwig von Mises, among others.

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Stefan Zweig in the context of Adagio and Rondo for glass harmonica, flute, oboe, viola and cello

The Adagio and Rondo, K. 617, is a quintet composed by Wolfgang Amadeus Mozart for glass harmonica, flute, oboe, viola and cello. Completed on May 23, 1791 (the date indicated in Mozart's own list of his works), it was written for Marianne Kirchgessner, a blind glass harmonica virtuoso, who played the first performance in the Burgtheater Akademie on June 10, 1791, and subsequently performed it at the Kärtnertortheater on August 19, 1791.

The autograph manuscript is in the British Library as part of the Stefan Zweig Collection. It was purchased by Zweig from a Berlin auction house in 1930.

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Stefan Zweig in the context of Decisive Moments in History

Decisive Moments in History (German: Sternstunden der Menschheit, lit.'Stellar Moments of Humankind') is a 1927 history book by the Austrian writer Stefan Zweig. It started off with only five miniatures in its first edition and grew to a collection of 14 with later editions. Its first English translation was published in 1940 as The Tide of Fortune: Twelve Historical Miniatures. The miniatures relate historical events that changed the world.

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Stefan Zweig in the context of Letter from an Unknown Woman

Letter from an Unknown Woman (German: Der Brief einer Unbekannten, sometimes appearing without the definite article "der") is a novella by Austrian writer Stefan Zweig. The work first appeared in the 1 January 1922 issue of the Viennese Neuen Freien Presse, before being published in book form as part of the collection Amok: Novellen einer Leidenschaft (Insel Verlag, 1922). The novella tells the story of an author who, while reading a letter written by a woman he does not remember, gets glimpses into her life story. It is generally considered to be Zweig's most famous work of fiction.

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Stefan Zweig in the context of Amok (novella)

Amok is a novella by the Austrian author Stefan Zweig. First printed in the newspaper Neue Freie Presse in 1922, Amok appeared shortly afterwards in the collection of novellas Amok: Novellas of a Passion. As Zweig was fascinated and influenced by Sigmund Freud's work, Amok includes clear psychoanalytic elements. It deals with an extreme obsession, which leads the protagonist to sacrifice his professional and private life and, eventually, to commit suicide.

The title of the novella comes from the Indonesian-origin term "amok", which was uncommon in those days. It refers to people who attack the enemy in supposedly blind anger and try to kill the enemy as well as anyone else in their way, randomly, without taking into consideration any danger. The actual title is Der Amokläufer an apparent High German neologism from the Indonesian original and the basis of "running amok".

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Stefan Zweig in the context of Fear (Zweig novella)

Fear (German: Angst) is a 1925 novella by the Austrian writer Stefan Zweig. It was adapted into a 1928 silent film, Angst, directed by Hans Steinhoff, a 1936 film, La Peur, directed by Victor Tourjansky, and a 1954 film, Fear, directed by Roberto Rossellini.

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Stefan Zweig in the context of Confusion (novella)

Confusion (German: Verwirrung der Gefühle), also known in English under the titles Confusion of Feelings or Episode in the Early Life of Privy Councillor D. is a 1927 novella by the Austrian writer Stefan Zweig. It tells the story of a student and his friendship with a professor. It was originally published in the omnibus volume Conflicts: Three Tales, together with two other Zweig novellas, Twenty-Four Hours in the Life of a Woman and Untergang eines Herzens. It was included on Le Monde's 100 Books of the Century list.

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Stefan Zweig in the context of Twenty-Four Hours in the Life of a Woman

Twenty-Four Hours in the Life of a Woman (German: Vierundzwanzig Stunden aus dem Leben einer Frau) is a 1927 novella by the Austrian writer Stefan Zweig. It was filmed in 1931, 1944, 1952, 1968, and 2002. A television movie, Twenty-Four Hours in a Woman's Life, was telecast in 1961, starring Ingrid Bergman and Rip Torn.

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Stefan Zweig in the context of Beware of Pity (novel)

Beware of Pity (German: Ungeduld des Herzens, literally Impatience of the Heart) is a 1939 novel by the Austrian writer Stefan Zweig. It was Zweig's longest work of fiction. It was adapted into a 1946 film of the same title, directed by Maurice Elvey.

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