Stave church in the context of "Ringebu Stave Church"

Greensted Church, in the small village of Greensted, near Chipping Ongar in Essex, England, has been claimed to be the oldest wooden church in the world, and probably the oldest wooden building in Europe still standing, albeit only in part, since few sections of its original wooden structure remain. The oak walls are often classified as remnants of a palisade church or, more loosely, as a kind of early stave church, dated either to the mid-9th or mid-11th century.

The Grade I listed building lies about a mile west of Chipping Ongar town centre. Its full title is The Church of St Andrew, Greensted-juxta-Ongar. It is, however, commonly known simply as Greensted Church. Greensted is still a functioning church and holds services every week.

The Hylestad Stave Church was a stave church located in Hylestad (now Valle municipality), Setesdal district, Norway. The church was estimated to have been built in the late 12th to the early 13th century and was demolished in the 17th century. Some of the intricate wood carvings from the church doorway were saved and incorporated into other buildings. They are now on display at the Museum of Cultural History in Oslo.

The carvings show several scenes from the legend of Sigurð Fáfnir's bane. A section of one of these carvings in which Sigurð kills Regin was the basis for a Norwegian postal stamp.

Urnes Stave Church (Norwegian: Urnes stavkyrkje) is a 12th-century stave church at Ornes, along the Lustrafjorden, in Luster Municipality in Vestland county, Norway.

The church sits on the eastern side of the fjord, directly across the fjord from the village of Solvorn and about five kilometres (3 mi) east of the village of Hafslo. It is among the oldest stave churches in Norway, with parts of the lumber construction dating from the latter half of the 11th century. The church was built in a long church basilica plan inspired by medieval Christian churches, with cylindrical columns and semi-circular arches inside. The decoration on capitals of the columns and outside of the church embodies the visual evidence of the Viking culture’s transformation, assimilation, and adoption of Christianity. The north portal of the church is defined as the Urnes style, which contains decorations derived from Norwegian mythology dating back to the 12th century.