Statue of Zeus at Olympia in the context of "Ancient Olympic Games"

⭐ In the context of the ancient Olympic Games, the Statue of Zeus at Olympia primarily functioned as…

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⭐ Core Definition: Statue of Zeus at Olympia

The Statue of Zeus at Olympia was a giant seated figure, about 12.4 m (41 ft) tall, made by the Greek sculptor Phidias around 435 BC at the sanctuary of Olympia, Greece, and erected in the Temple of Zeus there. Zeus is the sky and thunder god in ancient Greek religion, who rules as king of the gods on Mount Olympus.

The statue was a chryselephantine sculpture of ivory plates and gold panels on a wooden framework. Zeus sat on a painted cedarwood throne ornamented with ebony, ivory, gold, and precious stones. It was one of the Seven Wonders of the Ancient World.

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👉 Statue of Zeus at Olympia in the context of Ancient Olympic Games

The ancient Olympic Games (Ancient Greek: τὰ Ὀλύμπια, ta Olympia), or the ancient Olympics, were a series of athletic competitions among representatives of city-states and one of the Panhellenic Games of ancient Greece. They were held at the Panhellenic religious sanctuary of Olympia, in honor of Zeus, and the Greeks gave them a mythological origin. The originating Olympic Games are traditionally dated to 776 BC. The games were held every four years, or Olympiad, which became a unit of time in historical chronologies. These Olympiads were referred to based on the winner of their stadion sprint, e.g., "the third year of the eighteenth Olympiad when Ladas of Argos won the stadion". They continued to be celebrated when Greece came under Roman rule in the 2nd century BC. Their last recorded celebration was in AD 393, under the emperor Theodosius I, but archaeological evidence indicates that some games were still held after this date. The games likely came to an end under Theodosius II, possibly in connection with a fire that burned down the temple of the Olympian Zeus during his reign.

During the celebration of the games, the Olympic truce (ekecheiría) was announced so that athletes and religious pilgrims could travel from their cities to the games in safety. The prizes for the victors were olive leaf wreaths or crowns. The games became a political tool used by city-states to assert dominance over their rival city-states. Politicians would announce political alliances at the games, and in times of war, priests would offer sacrifices to the gods for victory. The games were also used to help spread Hellenistic culture throughout the Mediterranean. The Olympics also featured religious celebrations. The statue of Zeus at Olympia was counted as one of the seven wonders of the ancient world. Sculptors and poets would congregate each Olympiad to display their works of art to would-be patrons.

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Statue of Zeus at Olympia in the context of Phidias

Phidias or Pheidias (/ˈfɪdiəs/; Ancient Greek: Φειδίας, Pheidias; c. 480 – c. 430 BC) was an Ancient Greek sculptor, painter, and architect, active in the 5th century BC. His Statue of Zeus at Olympia was one of the Seven Wonders of the Ancient World. Phidias also designed the statues of the goddess Athena on the Athenian Acropolis, namely the Athena Parthenos inside the Parthenon, and the Athena Promachos, a colossal bronze which stood between it and the Propylaea, a monumental gateway that served as the entrance to the Acropolis in Athens. Phidias was the son of Charmides of Athens. The ancients believed that his masters were Hegias and Ageladas.

Plutarch discusses Phidias's friendship with the Greek statesman Pericles, recording that enemies of Pericles tried to attack him through Phidias – who was accused of stealing gold intended for the Parthenon's statue of Athena, and of impiously portraying himself and Pericles on the shield of the statue. The historical value of this account, as well as the legend about accusations against the 'Periclean circle', is debatable, but Aristophanes mentions an incident with Phidias around that time.

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Statue of Zeus at Olympia in the context of Seven Wonders of the Ancient World

The Seven Wonders of the Ancient World, also known as the Seven Wonders of the World or simply the Seven Wonders, is a list of seven notable structures present during classical antiquity, first established in the 1572 publication Octo Mundi Miracula using a combination of historical sources.

The seven traditional wonders established by the Octo Mundi Miracula are the Great Pyramid of Giza, the Colossus of Rhodes, the Lighthouse of Alexandria, the Mausoleum at Halicarnassus, the Temple of Artemis, the Statue of Zeus at Olympia, and the Hanging Gardens of Babylon. Using modern-day countries, two of the wonders were located in Greece, two in Turkey, two in Egypt, and one in Iraq. Of the seven wonders, only the Pyramid of Giza, which is also by far the oldest of the wonders, remains standing, while the others have been destroyed over the centuries. Remains exist from the Lighthouse, Temple of Artemis and the Mausoleum – either in situ or in museums. There is scholarly debate over the exact nature of the Hanging Gardens, and there is doubt as to whether they existed at all.

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Statue of Zeus at Olympia in the context of Wonders of the Middle Ages

Various lists of the Wonders of the World have been compiled from antiquity to the present day, in order to catalogue the world's most spectacular natural features and human-built structures.

The Seven Wonders of the Ancient World is the oldest known list of this type, documenting the most iconic and remarkable human-made creations of classical antiquity; the canonical list was established in the 1572 Octo Mundi Miracula, based on classical sources which varied widely. The classical sources only include works located around the Mediterranean rim and in the ancient Near East. The number seven was chosen because the Greeks believed it represented perfection and plenty, and because it reflected the number of planets known in ancient times (five) plus the Sun and Moon.

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