Stanford White in the context of "Washington Square Arch"

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⭐ Core Definition: Stanford White

Stanford White (November 9, 1853 – June 25, 1906) was an American architect and a partner in the architectural firm McKim, Mead & White, one of the most significant Beaux-Arts firms at the turn of the 20th century. White designed many houses for the wealthy, in addition to numerous civic, institutional and religious buildings. His temporary Washington Square Arch was so popular that he was commissioned to design a permanent one. White's design principles embodied the "American Renaissance".

In 1906, White was murdered during a musical performance at the rooftop theatre of Madison Square Garden. His killer, Harry Kendall Thaw, was a wealthy but mentally unstable heir of a coal and railroad fortune who had become obsessed by White's alleged drugging and rape of, and subsequent relationship with, the woman who was to become Thaw's wife, Evelyn Nesbit, which had started when she was aged 16 and White was 47. At the time of White's killing, Nesbit was a famous fashion model. With the public nature of the killing and elements of a sex scandal among the wealthy, the resulting trial of Thaw was dubbed the "Trial of the Century" by contemporary reporters. Thaw was ultimately found not guilty by reason of insanity.

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👉 Stanford White in the context of Washington Square Arch

The Washington Square Arch, officially the Washington Arch, is a marble memorial arch in Washington Square Park, in the Greenwich Village neighborhood of Lower Manhattan, New York City. Designed by architect Stanford White in 1891, it commemorates the centennial of George Washington's 1789 inauguration as President of the United States, and forms the southern terminus of Fifth Avenue.

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Stanford White in the context of McKim, Mead & White

McKim, Mead & White was an American architectural firm based in New York City. The firm came to define architectural practice, urbanism, and the ideals of the American Renaissance in fin de siècle New York.

The firm's founding partners, Charles Follen McKim (1847–1909), William Rutherford Mead (1846–1928), and Stanford White (1853–1906), were giants in the architecture of their time, and remain important as innovators and leaders in the development of modern architecture worldwide. They formed a school of classically trained, technologically skilled designers who practiced well into the mid-20th century. According to Robert A. M. Stern, only Frank Lloyd Wright was more important to the identity and character of modern American architecture.

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Stanford White in the context of New York Herald

The New York Herald was a large-distribution newspaper based in New York City that existed from 1835 to 1924. At that point it was acquired by its smaller rival the New-York Tribune to form the New York Herald Tribune.

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Stanford White in the context of New York American

The New York Journal-American was a daily newspaper published in New York City from 1937 to 1966. The Journal-American was the product of a merger between two New York newspapers owned by William Randolph Hearst: the New York American (originally the New York Journal, renamed American in 1901), a morning paper, and the New York Evening Journal, an afternoon paper. Both were published by Hearst from 1895 to 1937. The American and Evening Journal merged in 1937.

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Stanford White in the context of National Sculpture Society

Founded in 1893, the National Sculpture Society (NSS) was the first organization of professional sculptors formed in the United States. The purpose of the organization was to promote the welfare of American sculptors, although its founding members included several renowned architects. The founding members included such well known figures of the day as Daniel Chester French, Augustus St. Gaudens, Richard Morris Hunt, and Stanford White as well as sculptors less familiar today, such as Herbert Adams, Paul W. Bartlett, Karl Bitter, J. Massey Rhind, Attilio Piccirilli, and John Quincy Adams Ward—who served as the first president for the society.

Since its founding in the nineteenth century, the National Sculpture Society (NSS) has remained dedicated to promoting figurative and realistic sculpture. During the years 1919 to 1924, four works commissioned from members of the National Sculpture Society were funded by philanthropist Paul Goodloe McIntire, including George Rogers Clark (1921) by Robert Ingersoll Aitken at Charlottesville, Virginia. Membership worldwide in 2006 was around 4,000 members, including sculptors, architects, art historians, and conservators. Its headquarters, library, and gallery are located in midtown Manhattan.

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Stanford White in the context of William Rutherford Mead

William Rutherford Mead (August 20, 1846 – June 19, 1928) was an American architect who was the "Center of the Office" of McKim, Mead, and White, a noted Gilded Age architectural firm. The firm's other founding partners were Charles Follen McKim (1847–1909) and Stanford White (1853–1906).

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Stanford White in the context of Charles Follen McKim

Charles Follen McKim (August 24, 1847 – September 14, 1909) was an American Beaux-Arts architect of the late 19th century. Along with William Rutherford Mead and Stanford White, he provided the architectural expertise as a member of the partnership McKim, Mead & White.

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