St. Ambrose in the context of "Antiphon"

Play Trivia Questions online!

or

Skip to study material about St. Ambrose in the context of "Antiphon"

Ad spacer

⭐ Core Definition: St. Ambrose

Ambrose of Milan (Latin: Aurelius Ambrosius; c. 339 – 4 April 397), canonized as Saint Ambrose, was a theologian and statesman who served as Bishop of Milan from 374 to 397. He expressed himself prominently as a public figure, fiercely promoting Nicene Christianity against Arianism and paganism. He left a substantial collection of writings, of which the best known include the ethical commentary De officiis ministrorum (377–391), and the exegetical Exameron (it) (386–390). His preaching, his actions and his literary works, in addition to his innovative musical hymnography, made him one of the most influential ecclesiastical figures of the 4th century.

Ambrose was serving as the Roman governor of Aemilia-Liguria in Milan when he was unexpectedly made Bishop of Milan in 374 by popular acclamation. As bishop, he took a firm position against Arianism and attempted to mediate the conflict between the emperors Theodosius I and Magnus Maximus. Tradition credits Ambrose with developing an antiphonal chant, known as Ambrosian chant, and for composing the "Te Deum" hymn, though modern scholars now reject both of these attributions. Ambrose's authorship on at least four hymns, including the well-known "Veni redemptor gentium", is secure; they form the core of the Ambrosian hymns, which includes others that are sometimes attributed to him. He also had a notable influence on Augustine of Hippo (354–430), whom he helped convert to Christianity.

↓ Menu

>>>PUT SHARE BUTTONS HERE<<<

👉 St. Ambrose in the context of Antiphon

An antiphon (Greek ἀντίφωνον, ἀντί "opposite" and φωνή "voice") is a short chant in Christian ritual, sung as a refrain. The texts of antiphons are usually taken from the Psalms or Scripture, but may also be freely composed. Their form was favored by St. Ambrose and they feature prominently in Ambrosian chant, but they are used widely in Gregorian chant as well. They may be used during Mass, for the Introit, the Offertory or the Communion. They may also be used in the Liturgy of the Hours, typically for Lauds or Vespers.

They should not be confused with Marian antiphons or processional antiphons.

↓ Explore More Topics
In this Dossier