The Spanish Renaissance was a movement in Spain, emerging from the Italian Renaissance in Italy during the 14th century, that spread to Spain during the 15th and 16th centuries.
This new focus in art, literature, quotes and science inspired by the Greco-Roman tradition of Classical antiquity, received a major impulse from several events in 1492:
The Portuguese Renaissance was the cultural and artistic movement in Portugal during the 15th and 16th centuries. Though the movement coincided with the Spanish and Italian Renaissances, the Portuguese Renaissance was largely separate from other European Renaissances and instead was extremely important in opening Europe to the unknown and bringing a more worldly view to those European Renaissances, as at the time the Portuguese Empire spanned the globe.
As the pioneer of the Age of Discoveries, Portugal flourished in the 15th, 16th, and 17th centuries, with voyages to India, the Orient, the Americas, and Africa. This immense trade network would create an extremely wealthy Portuguese nobility and monarchy, that would become patrons for an immense flourishing of culture, arts, and technology in Portugal and all over the world.
Doménikos Theotokópoulos (Greek: Δομήνικος Θεοτοκόπουλος, IPA: [ðoˈminikos θeotoˈkopulos]; 1 October 1541 – 7 April 1614), most widely known as El Greco (Spanish pronunciation: [el ˈɡɾeko]; "The Greek"), was a Greek painter, sculptor and architect of the Spanish Renaissance, regarded as one of the greatest artists of all time. El Greco was a nickname, and the artist normally signed his paintings with his full birth name in Greek letters often adding the word Κρής (Krḗs), which means "Cretan" in Ancient Greek.
El Greco was born in the Kingdom of Candia (modern Crete), which was at that time part of the Republic of Venice, Italy, and the center of Post-Byzantine art. He trained and became a master within that tradition before traveling at age 26 to Venice, as other Greek artists had done. In 1570, he moved to Rome, where he opened a workshop and executed a series of works. During his stay in Italy, El Greco enriched his style with elements of Mannerism and of the Venetian Renaissance taken from a number of great artists of the time, notably Tintoretto and Titian. In 1577, he moved to Toledo, Spain, where he lived and worked until his death. In Toledo, El Greco received several major commissions and produced his best-known paintings, such as View of Toledo and Opening of the Fifth Seal.
A chamberlain (Medieval Latin: cambellanus or cambrerius, with charge of treasury camerarius) is a senior royal official in charge of managing a royal household. Historically, the chamberlain superintends the arrangement of domestic affairs and was often also charged with receiving and paying out money kept in the royal chamber. The position was usually awarded as an honour to a high-ranking member of the nobility (nobleman) or the clergy, often a royal favourite. Roman emperors appointed this officer under the title of cubicularius. The Chamberlain of the Holy Roman Church enjoys very extensive powers, having the revenues of the papal household under his charge. As a sign of their dignity, chamberlains bore a key, which in the seventeenth century was often silvered, and actually fitted the door-locks of chamber rooms. Since the eighteenth century, it has turned into a merely symbolic, albeit splendid, rank-insignia of gilded bronze. In many countries there are ceremonial posts associated with the household of the sovereign.
Juan de Herrera (1530 – 15 January 1597) was a Spanish architect, mathematician and geometrician.
One of the most outstanding Spanish architects in the 16th century, Herrera represents the peak of the Renaissance in Spain. His sober style reached full development in buildings like the Monastery of San Lorenzo de El Escorial. The Herrerian style was named after him, and was representative of the architecture of the Spanish Empire of Philip II and his Austrian successors.
Pedro Berruguete (c. 1450 – 1504) was a Spanish painter who adopted Flemish techniques and conventions and so is part of the Hispano-Flemish style. Berruguete most famously created paintings of the first few years of the Inquisition and of religious imagery for Castilian retablos. He is considered by some as the first Renaissance painter in Spain.
He was the father of Alonso Berruguete, considered the most important sculptor of the Spanish Renaissance. Because of the fame accrued by Alonso, Pedro Berruguete is sometimes referred to as Berruguete el Viejo ("Berruguete the Elder") to differentiate between the two.