Southern Netherlands in the context of "Low Countries theatre of the War of the First Coalition"

Sir Peter Paul Rubens (/ˈruːbənz/ ROO-bənz; Dutch: [ˈpeːtər pʌul ˈrybəns]; 28 June 1577 – 30 May 1640) was a Flemish artist and diplomat. He is considered the most influential artist of the Flemish Baroque tradition. Rubens' highly charged compositions reference erudite aspects of classical and Christian history. His unique and immensely popular Baroque style emphasised movement, colour, and sensuality, which followed the immediate, dramatic artistic style promoted in the Counter-Reformation. Rubens was a painter producing altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. He was also a prolific designer of cartoons for the Flemish tapestry workshops and of frontispieces for the publishers in Antwerp.

Rubens was born and raised in the Holy Roman Empire (modern-day Germany) to parents who were refugees from Antwerp in the Duchy of Brabant in the Southern Netherlands (modern-day Belgium) and moved to Antwerp at about 12. In addition to running a large workshop in Antwerp that produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically educated humanist scholar and diplomat who was knighted by both Philip IV of Spain and Charles I of England. Rubens was a prolific artist. The catalogue of his works by Michael Jaffé lists 1,403 pieces, excluding numerous copies made in his workshop.

Joseph-Benoît Suvée (3 January 1743 – 9 February 1807) was a Flemish painter strongly influenced by French neo-classicism.

Habsburg Netherlands were the parts of the Low Countries that were ruled by sovereigns from the House of Habsburg. Their rule began in 1482 and ended for the Northern Netherlands in 1581 and for the Southern Netherlands in 1797. Habsburg rule began with the accession of Philip the Handsome in 1482, when he succeeded his mother Mary of Burgundy of the House of Valois-Burgundy, who was the ruler of the Low Countries. Philip's son and heir Charles, future King of Spain (1516), and the Holy Roman Emperor (1519), was born in the Habsburg Netherlands and made Brussels one of his capitals.

During the Habsburg era, from 1482 to 1797, parts of the Netherlands under their rule went through various political changes and administrative reorganizations. Becoming known as the Seventeen Provinces in 1549, they were held by the Spanish branch of the Habsburgs from 1556, thus becoming known as the Spanish Netherlands from that time on. In 1581, in the midst of the Dutch Revolt, the Seven United Provinces seceded from the rest of this territory to form the Dutch Republic. The remaining Spanish Southern Netherlands became the Austrian Netherlands in 1714, after Austrian acquisition under the Treaty of Rastatt. De facto Habsburg rule ended with the annexation by the revolutionary French First Republic in 1795. Austria, however, did not relinquish its claim over the country until 1797 in the Treaty of Campo Formio.

A voorcompagnie (pre-company) is the name given to trading companies from the Republic of the Seven United Netherlands that traded in Asia between 1594 and 1602, before they merged to form the Dutch East India Company (VOC). The pre-companies were financed by merchants from the Northern Netherlands and rich immigrants from the Southern Netherlands. Because of the deadly competition, the government forced the smaller trading companies to unite and form the (United) East India Company. In turn, it received exclusive rights to trade with Asia for the following 21 years.

For most of its history, what is today Belgium was either a part of a larger territory, such as the medieval Carolingian Empire, or was divided into a number of smaller states. In the Middle Ages, the territory of present-day Belgium was fragmented into numerous feudal principalities, including the Duchy of Lower Lorraine, the Duchy of Brabant, the County of Flanders, the Prince-Bishopric of Liège, the County of Namur, the County of Hainaut and the County of Luxembourg. Belgium's modern shape can be traced back at least as far as the southern core of the medieval Burgundian Netherlands. The Eighty Years' War (1568–1648) later led to the split between a northern Dutch Republic and the Southern Netherlands from which Belgium and Luxembourg developed. The area, long a Habsburg stronghold, briefly came under Bourbon control during the War of the Spanish Succession. The resulting Peace of Utrecht transferred the area back to Habsburg control, creating what is now known as the Austrian Netherlands. The French Revolutionary wars led to Belgium becoming part of France in 1795. After the defeat of the French in 1814, the Congress of Vienna created two new states, the United Kingdom of the Netherlands and the Grand Duchy of Luxembourg, which were placed in dynastic union under the House of Orange-Nassau. The Southern Netherlands rebelled during the 1830 Belgian Revolution, establishing the modern Belgian state, officially recognized at the London Conference of 1830. The first King of Belgium, Leopold I, assumed the throne in 1831.

The first half of the twentieth century was tumultuous. Its historic neutrality was violated in each of the World Wars. During World War I, frustrated German invaders launched the Rape of Belgium. During the 1940 invasion, the quick surrender by Leopold III of Belgium to German forces drove a wedge between the King and his people. The King's attempt to return led to a constitutional crisis in 1950, which led to his abdication in favor of his son Baudouin. Belgium entered the second half of the twentieth century showing an unprecedented era of economic growth, as Belgium took an active role in the formation of the Benelux customs union with its neighbors. Ultimately, the Benelux union would serve as a model for the European Economic Community, a precursor to the European Union; to this day Brussels serves as the seat of many of the European Union institutions.

The Royal Museum of Fine Arts Antwerp (Dutch: Koninklijk Museum voor Schone Kunsten Antwerpen; KMSKA) is a museum in Antwerp, Belgium, founded in 1810, that houses a collection of paintings, sculptures and drawings from the fourteenth to the twentieth centuries. This collection is representative of the artistic production and the taste of art enthusiasts in Antwerp, Belgium and the Northern and Southern Netherlands since the 15th century.

The neoclassical building housing the collection is one of the primary landmarks of the Zuid district of Antwerp. The majestic building was designed by Jean-Jacques Winders (1849–1936) and Frans Van Dijk (1853–1939), built beginning in 1884, opened in 1890, and completed in 1894. Sculpture on the building includes two bronze figures of Pheme with horse-drawn chariots by sculptor Thomas Vincotte, and seven rondel medallions of artists that include Boetius à Bolswert, Frans Floris, Jan van Eyck, Peter Paul Rubens, Quentin Matsys, Erasmus Quellinus II, and Appelmans, separated by four monumental sculptures representing Architecture, Painting, Sculpture, and Graphics.

Flemish Baroque painting was a style of painting in the Southern Netherlands during Spanish control in the 16th and 17th centuries. The period roughly begins when the Dutch Republic was split from the Habsburg Spain regions to the south with the Spanish recapturing of Antwerp in 1585 and goes until about 1700, when Spanish Habsburg authority ended with the death of King Charles II. Antwerp, home to the prominent artists Peter Paul Rubens, Anthony van Dyck, and Jacob Jordaens, was the artistic nexus, while other notable cities include Brussels and Ghent.

Rubens, in particular, had a strong influence on seventeenth-century visual culture. His innovations helped define Antwerp as one of Europe's major artistic cities, especially for Counter-Reformation imagery, and his student Van Dyck was instrumental in establishing new directions in English portraiture. Other developments in Flemish Baroque painting are similar to those found in Dutch Golden Age painting, with artists specializing in such areas as history painting, portraiture, genre painting, landscape painting, and still life.