Sound reinforcement in the context of Coffeehouse

An audio power amplifier (or power amp) amplifies low-power electronic audio signals, such as the signal from a radio receiver or an electric guitar pickup, to a level that is high enough for driving loudspeakers or headphones. Audio power amplifiers are found in all manner of sound systems including sound reinforcement, public address, home audio systems and musical instrument amplifiers like guitar amplifiers. It is the final electronic stage in a typical audio playback chain before the signal is sent to the loudspeakers.

The preceding stages in such a chain are low-power audio amplifiers which perform tasks like pre-amplification of the signal, equalization, mixing different input signals. The inputs can also be any number of audio sources like record players, CD players, digital audio players and cassette players. Most audio power amplifiers require these low-level inputs, which are line level.

A feedback suppressor is an audio signal processing device which is used in the signal path in a live sound reinforcement system to prevent or suppress audio feedback.

Digital feedback reduction is the application of digital techniques to sound reinforcement in order to reduce audio feedback and increase headroom.

Professional audio, abbreviated as pro audio, refers to both an activity and a category of high-quality, studio-grade audio equipment. Typically it encompasses sound recording, sound reinforcement system setup and audio mixing, and studio music production by trained sound engineers, audio engineers, record producers, and audio technicians who work in live event support and recording using mixing consoles, recording equipment and sound reinforcement systems. Professional audio is differentiated from consumer- or home-oriented audio, which are typically geared toward listening in a non-commercial environment.

Professional audio can include, but is not limited to broadcast radio, audio mastering in a recording studio, television studio, and sound reinforcement such as a live concert, DJ performances, audio sampling, public address system set up, sound reinforcement in movie theatres, and design and setup of piped music in hotels and restaurants. Professional audio equipment is sold at professional audio stores and music stores.

In electronics, the common mode rejection ratio (CMRR) of a differential amplifier (or other device) is a metric used to quantify the ability of the device to reject common-mode signals, i.e. those that appear simultaneously and in-phase on both inputs. An ideal differential amplifier would have infinite CMRR, however this is not achievable in practice. A high CMRR is required when a differential signal must be amplified in the presence of a possibly large common-mode input, such as strong electromagnetic interference (EMI). An example is audio transmission over balanced line in sound reinforcement or recording.