Public address in the context of Sound reinforcement

An audio power amplifier (or power amp) amplifies low-power electronic audio signals, such as the signal from a radio receiver or an electric guitar pickup, to a level that is high enough for driving loudspeakers or headphones. Audio power amplifiers are found in all manner of sound systems including sound reinforcement, public address, home audio systems and musical instrument amplifiers like guitar amplifiers. It is the final electronic stage in a typical audio playback chain before the signal is sent to the loudspeakers.

The preceding stages in such a chain are low-power audio amplifiers which perform tasks like pre-amplification of the signal, equalization, mixing different input signals. The inputs can also be any number of audio sources like record players, CD players, digital audio players and cassette players. Most audio power amplifiers require these low-level inputs, which are line level.

An intercom, also called an intercommunication device, intercommunicator, or interphone, is a stand-alone voice communications system for use within a building, small collection of buildings or portably within a small coverage area, which functions independently of the public telephone network. Intercoms are generally mounted permanently in buildings and vehicles, but can also be detachable and portable. Intercoms can incorporate connections to public address loudspeaker systems, walkie talkies, telephones, and other intercom systems. Some intercom systems incorporate control of devices such as signal lights and door latches.

Intercoms are used on a wide variety of properties; from houses that only require one connection between a resident and the property's entrance to multi-unit apartments that require intercom hardware to be installed in every individual apartment. Some are equipped with video and its wiring (electrical installation) can be connected to the outside with a few pairs (4-6 pairs) while controlling an electric strike. The latest generations are even compatible with computers and some models include TCP/IP compatibility.

A sound reinforcement system is the combination of microphones, signal processors, amplifiers, and loudspeakers in enclosures all controlled by a mixing console that makes live or pre-recorded sounds louder and may also distribute those sounds to a larger or more distant audience. In many situations, a sound reinforcement system is also used to enhance or alter the sound of the sources on the stage, typically by using electronic effects, such as reverb, as opposed to simply amplifying the sources unaltered.

A sound reinforcement system for a rock concert in a stadium may be very complex, including hundreds of microphones, complex live sound mixing and signal processing systems, tens of thousands of watts of amplifier power, and multiple loudspeaker arrays, all overseen by a team of audio engineers and technicians. On the other hand, a sound reinforcement system can be as simple as a small public address (PA) system, consisting of, for example, a single microphone connected to a 100-watt amplified loudspeaker for a singer-guitarist playing in a small coffeehouse. In both cases, these systems reinforce sound to make it louder or distribute it to a wider audience.

Professional audio, abbreviated as pro audio, refers to both an activity and a category of high-quality, studio-grade audio equipment. Typically it encompasses sound recording, sound reinforcement system setup and audio mixing, and studio music production by trained sound engineers, audio engineers, record producers, and audio technicians who work in live event support and recording using mixing consoles, recording equipment and sound reinforcement systems. Professional audio is differentiated from consumer- or home-oriented audio, which are typically geared toward listening in a non-commercial environment.

Professional audio can include, but is not limited to broadcast radio, audio mastering in a recording studio, television studio, and sound reinforcement such as a live concert, DJ performances, audio sampling, public address system set up, sound reinforcement in movie theatres, and design and setup of piped music in hotels and restaurants. Professional audio equipment is sold at professional audio stores and music stores.

Live PA (meaning live public address or live personal appearance) is the act of performing live electronic music in settings typically associated with DJing, such as nightclubs, raves, and more recently dance music festivals.

In a performative context, the term was originally used to refer to live appearances, initially at rave events in the late 1980s, of studio based producers of electronic dance music who released music using fixed media formats such as 12-inch single, CD, or music download. The concept of the live PA helped provide a public face for a scene that was criticized as "faceless" by the mainstream music press. The trend was quickly exploited by a music industry desperate to market dance music to a popular audience.

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The Fender Musical Instruments Corporation (FMIC, or simply Fender) is an American manufacturer and marketer of musical instruments and amplifiers. Fender produces acoustic guitars, bass amplifiers and public address equipment; however, it is best known for its solid-body electric guitars and bass guitars, particularly the Stratocaster, Telecaster, Jaguar, Jazzmaster, Precision Bass, and the Jazz Bass. Fender also develops digital audio workstation and scorewriter via its subsidiary PreSonus which was acquired in 2021. The company was founded in Fullerton, California, by Clarence Leonidas "Leo" Fender in 1946. Andy Mooney has served as the chief executive officer (CEO) since June 2015; he will retire and be succeeded by Edward 'Bud' Cole in February 2026.

A line array is a loudspeaker system that is made up of a number of usually identical loudspeaker elements mounted in a line and fed in phase, to create a near-line source of sound. The distance between adjacent drivers is close enough that they constructively interfere with each other to send sound waves farther than traditional horn-loaded loudspeakers, and with a more evenly distributed sound output pattern.

Line arrays can be oriented in any direction, but their primary use in public address is in vertical arrays which provide a very narrow vertical output pattern useful for focusing sound at audiences without wasting output energy on ceilings or empty air above the audience. A vertical line array displays a normally wide horizontal pattern useful for supplying sound to the majority of a concert audience. By contrast, horizontal line arrays have a very narrow output pattern horizontally but a tall pattern vertically. A row of subwoofers along the front edge of a concert stage can behave as a horizontal line array unless the signal supplied to them is adjusted (delayed, polarized, equalized) to shape the pattern otherwise. Loudspeakers can be designed to be arrayed horizontally without behaving as a horizontal line source.