National Gallery of Ireland

⭐ In the context of the National Gallery of Ireland, which architectural and political landmark is situated directly beside one of its entrances?

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⭐ Core Definition: National Gallery of Ireland

The National Gallery of Ireland (Irish: Gailearaí Náisiúnta na hÉireann) houses the national collection of Irish and European art. It is located in the centre of Dublin with one entrance on Merrion Square, beside Leinster House, and another on Clare Street. It was founded in 1854 and opened its doors ten years later. The gallery has an extensive, representative collection of Irish paintings and is also notable for its Italian Baroque and Dutch masters painting. The current director is Caroline Campbell.

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In this Dossier

National Gallery of Ireland in the context of Samuel Beckett

Samuel Barclay Beckett (/ˈbɛkɪt/ ; 13 April 1906 – 22 December 1989) was an Irish playwright, poet, novelist, and literary critic. Writing in both English and French, his literary and theatrical works feature bleak, impersonal, and tragicomic episodes of life, coupled with black comedy and literary nonsense. Beckett is widely regarded as one of the most influential and important writers of the 20th century, credited with transforming modern theatre. As a major figure of Irish literature, he is best known for his tragicomedy play Waiting for Godot (1953). For his foundational contribution to both literature and theatre, Beckett received the 1969 Nobel Prize in Literature, "for his writing, which—in new forms for the novel and drama—in the destitution of modern man acquires its elevation."

During his early career, Beckett worked as a literary critic and commentator, and in 1930 he took up a role as a lecturer in Dublin. He wrote his first novel Dream of Fair to Middling Women in 1932, which influenced many of his later works, but it was not published until after his death. Around this time, Beckett also began studying artistic expressions and art history, particularly of paintings displayed at the National Gallery of Ireland. He maintained a close friendship with Irish writer James Joyce throughout his life, and cited him as a major inspiration for his works. As a resident of Paris for most of his adult life, Beckett wrote in both French and English, sometimes under the pseudonym Andrew Belis. His later literary works, especially his plays, became increasingly austere and minimalistic as his career progressed, involving more aesthetic and linguistic experimentation, with techniques of stream of consciousness repetition and self-reference. During the Second World War, Beckett became a member of the French Resistance group Gloria SMH (Réseau Gloria) and was awarded the Croix de Guerre in 1949.

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National Gallery of Ireland in the context of Caroline Campbell (museum director)

Caroline Campbell (born Belfast) is an international art museum curator. Since November 2022, she is director of the National Gallery of Ireland, being the first woman taking this position in the Gallery’s 158 year history.

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National Gallery of Ireland in the context of The Taking of Christ (Caravaggio)

The Taking of Christ (Italian: Presa di Cristo nell'orto or Cattura di Cristo) is a painting, of the arrest of Jesus, by the Italian Baroque master Michelangelo Merisi da Caravaggio. Originally commissioned by the Roman nobleman Ciriaco Mattei in 1602, it is housed in the National Gallery of Ireland, Dublin.

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National Gallery of Ireland in the context of Alfred Chester Beatty

Sir Alfred Chester Beatty, (7 February 1875 – 19 January 1968) was an American mining magnate and philanthropist. A successful businessman, he was given the epithet the "King of Copper", in reference to his fortune. He became a naturalised British subject in 1933, was knighted in 1954, and was made an honorary citizen of Ireland in 1957.

Beatty collected African, Asian, European and Middle Eastern manuscripts, rare printed books, prints as objets d'art. After moving to Dublin in 1950, he established the Chester Beatty Library on Shrewsbury Road to house his collection; it opened to the public in 1954. The collections were bequeathed to the Irish people and entrusted to the care of the state in his Irish will. He donated several papyrus documents to the British Museum, his second wife's collection of Marie Antoinette's personal furniture to the Louvre and a number of his personal paintings that once hung in the picture gallery of his London home to the National Gallery of Ireland. He also made possible the expansion and relocation of the Cancer Research Institute, which was renamed the Chester Beatty Institute, and later renamed the Institute of Cancer Research, in 1939.

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National Gallery of Ireland in the context of Lady Writing a Letter with her Maid

Lady Writing a Letter with her Maid (Dutch: Schrijvende vrouw met dienstbode) is a painting by the Dutch artist Johannes Vermeer, completed in 1670–1671 and held in the National Gallery of Ireland, in Dublin, Ireland. The painting shows a standing woman seemingly acting as a messenger between the seated younger lady and her unseen lover.

It was famously stolen on 27 April 1974 during a raid on Russborough House, Ireland, and again in 1986 by a gang led by the Dublin crime boss Martin Cahill, although in both cases it was recovered.

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National Gallery of Ireland in the context of Thomas Newenham Deane

Sir Thomas Newenham Deane (1828 – 8 November 1899) was an Irish architect, the son of Sir Thomas Deane and Eliza Newenham, and the father of Sir Thomas Manly Deane. His father and son were also architects.

Works attributed to Thomas Newenham Deane, and his architectural practice, include the National Library of Ireland, a wing of the National Gallery of Ireland, St Mary's Cathedral, Tuam, the Kildare Street Club, and a number of buildings in the Trinity College Dublin campus.

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