Song of Songs in the context of "Poetic Books"

Solomon (/ˈsɒləmən/), also called Jedidiah, was the fourth monarch of the Kingdom of Israel and Judah, according to the Hebrew Bible. The successor of his father David, he is described as the penultimate ruler of all Twelve Tribes of Israel under a united Israel and Judah. His reign is hypothesized to have lasted from 970 to 931 B.C. According to the biblical narrative, his reign brought commercial prosperity through alliances and trade, but his accumulation of wealth, horses, and foreign wives, many of whom introduced idolatry, led to divine punishment. After Solomon’s death, his son Rehoboam’s harsh policies led the northern Israelites to reject David’s line and follow Jeroboam, splitting the kingdom into Israel in the north and Judah in the south, according to the Hebrew Bible.

Considered a Jewish prophet, Solomon is portrayed as wealthy, wise, powerful, and a dedicated follower of Yahweh (God), as attested by the eponymous Solomon's Temple. He is also traditionally regarded as the author of the biblical books of Proverbs, Ecclesiastes, and Song of Songs. He is also the subject of many later references and legends, most notably in the Testament of Solomon, part of biblical apocrypha from the 1st century CE.

The Five Scrolls or the Five Megillot (Hebrew: חמש מגילות [χaˈmeʃ meɡiˈlot], Hamesh Megillot or Chomeish Megillos) are parts of the Ketuvim ("Writings"), the third major section of the Tanakh (Hebrew Bible). The Five Scrolls are the Song of Songs, the Book of Ruth, the Book of Lamentations, Ecclesiastes and the Book of Esther. These five relatively short biblical books are grouped together in Jewish tradition.

Wachet auf, ruft uns die Stimme ('Awake, calls the voice to us'), BWV 140, also known as Sleepers Awake, is a church cantata by Johann Sebastian Bach, regarded as one of his most mature and popular sacred cantatas. He composed the chorale cantata in Leipzig for the 27th Sunday after Trinity and first performed it on 25 November 1731.

Bach composed this cantata to complete his second annual cycle of chorale cantatas, begun in 1724. The cantata is based on the hymn in three stanzas "Wachet auf, ruft uns die Stimme" (1599) by Philipp Nicolai, which covers the prescribed reading for the Sunday, the parable of the Ten Virgins. The text and tune of the three stanzas of the hymn appears unchanged in three of seven movements (1, 4 and 7). An unknown author supplied additional poetry for the inner movements as sequences of recitative and duet, based on the love poetry of the Song of Songs. Bach structured the cantata in seven movements, setting the first stanza as a chorale fantasia, the second stanza in the central movement in the style of a chorale prelude, and the third stanza as a four-part chorale. He set the new texts as dramatic recitatives and love-duets, similar to contemporary opera. Bach scored the work for three vocal soloists (soprano, tenor and bass), a four-part choir and a Baroque instrumental ensemble consisting of a horn (to reinforce the soprano), two oboes, taille, violino piccolo, strings and basso continuo including bassoon.

The Book of Wisdom, also known as the Wisdom of Solomon, is a book in the Bible. It is one of the seven sapiential or wisdom books in the Septuagint, the others being Psalms, Proverbs, Ecclesiastes, Song of Songs (Song of Solomon), Job, and Sirach. It is one of the deuterocanonical books, i.e. it is included in the canons of the Catholic Church and the Eastern Orthodox Church, but most Protestants consider it part of the Apocrypha. While not included in the Hebrew Bible, it found early reception in the Septuagint and Old Latin traditions, and was known to some of the New Testament writers. It was composed in Greek by an Alexandrian Jewish author. Most scholars date it to the first century BC on the basis of its themes and concerns, though a minority have proposed dates spanning from the reign of King Solomon to Emperor Caligula.

The central theme of the work is "wisdom" itself, appearing under two principal aspects. The first aspect is, in its relation to mankind, wisdom is the perfection of knowledge of the righteous as a gift from God showing itself in action. The second aspect is, in direct relation to God, wisdom is with God from all eternity.

The Book of Lamentations (Hebrew: אֵיכָה, ʾĒḵā, from its incipit meaning "how") is a collection of poetic laments for the destruction of Jerusalem in 586 BCE. In the Hebrew Bible, it appears in the Ketuvim ("Writings") as one of the Five Megillot ("Five Scrolls") alongside the Song of Songs, Book of Ruth, Ecclesiastes, and the Book of Esther. In the Christian Old Testament, it follows the Book of Jeremiah, for the prophet Jeremiah is traditionally understood to have been its author. By the mid-19th century, German scholars doubted Jeremiah's authorship, a view that has since become the prevailing scholarly consensus. Most scholars also agree that the Book of Lamentations was composed shortly after Jerusalem's fall in 586 BCE.

Some motifs of a traditional Mesopotamian "city lament" are evident in the book, such as mourning the desertion of the city by God, its destruction, and the ultimate return of the deity; others "parallel the funeral dirge in which the bereaved bewails... and... addresses the [dead]". The tone is bleak: God does not speak, the degree of suffering is presented as overwhelming, and expectations of future redemption are minimal. Nonetheless, the author repeatedly makes clear that the city—and even the author himself—has profusely sinned against God, thus justifying God's wrath. In doing so, the author does not blame God but rather presents God as righteous, just, and sometimes even merciful.

Hortus conclusus is a Latin term, meaning literally "enclosed garden". Both words in hortus conclusus refer linguistically to enclosure. It describes a type of garden that was enclosed as a practical concern, a major theme in the history of gardening, as walled gardens used to be more commonplace. The garden room is a similar feature, usually less fully enclosed.

Having roots in the Song of Songs in the Hebrew scriptures, the term hortus conclusus has importantly been applied as an emblematic attribute and a title of the Virgin Mary in Medieval and Renaissance poetry and art, first appearing in paintings and manuscript illuminations about 1330.