Social realism in the context of "Abstract Expressionism"

Abstract expressionism in the United States emerged as a distinct art movement in the aftermath of World War II and gained mainstream acceptance in the 1950s, a shift from the American social realism of the 1930s influenced by the Great Depression and Mexican muralists. The term was first applied to American art in 1946 by the art critic Robert Coates. Key figures in the New York School, which was the center of this movement, included such artists as Arshile Gorky, Jackson Pollock, Franz Kline, Mark Rothko, Norman Lewis, Willem de Kooning, Adolph Gottlieb, Clyfford Still, Robert Motherwell, Theodoros Stamos, and Lee Krasner among others.

The movement was not limited to painting but included influential collagists and sculptors, such as David Smith, Louise Nevelson, and others. Abstract expressionism was notably influenced by the spontaneous and subconscious creation methods of Surrealist artists like André Masson and Max Ernst. Artists associated with the movement combined the emotional intensity of German Expressionism with the radical visual vocabularies of European avant-garde schools like Futurism, the Bauhaus, and Synthetic Cubism.

Erik Ludvig Henningsen (29 August 1855 – 28 November 1930) was a Danish painter and illustrator. He is best known for his Social Realist paintings of poor and exposed groups in the 1880s and 1890s. He was the younger brother of Frants Henningsen who was also a painter.

An art film, arthouse film, or specialty film is an independent film aimed at a niche market rather than a mass market audience. It is "intended to be a serious, artistic work, often experimental and not designed for mass appeal", "made primarily for aesthetic reasons rather than commercial profit", and containing "unconventional or highly symbolic content".

Film critics and film studies scholars typically define an art film as possessing "formal qualities that mark them as different from mainstream Hollywood films". These qualities can include (among other elements) a sense of social realism; an emphasis on the authorial expressiveness of the director; and a focus on the thoughts, dreams, or motivations of characters, as opposed to the unfolding of a clear, goal-driven story. Film scholars David Bordwell and Barry Keith Grant describe art cinema as "a film genre, with its own distinct conventions".

Sergey Vasilyevich Ivanov (Russian: Сергей Васильевич Иванов; 16 June [O.S. 4 June] 1864 – 16 August [O.S. 3 August] 1910) was a Russian genre and history painter, known for his social realism.

Thomas Benjamin Kennington (7 April 1856 – 10 December 1916) was a British genre, social realist and portrait painter. He was a founder member of the New English Art Club (NEAC) and the Imperial Arts League.

Coit Tower (/ˈkɔɪt/ KOYT; also known as Coit Memorial Tower) is a 210-foot (64 m) tower in the Telegraph Hill neighborhood of San Francisco, California, overlooking the city and San Francisco Bay. The tower, in the city's Pioneer Park, was built between 1932 and 1933 using Lillie Hitchcock Coit's bequest to beautify the city of San Francisco. It was added to the National Register of Historic Places on January 29, 2008.

The Art Deco tower, built of unpainted reinforced concrete, was designed by architects Arthur Brown Jr. and Henry Temple Howard. The interior features fresco murals in the American Social Realism style, painted by 22 different onsite artists and their numerous assistants. Three artists preferred oil on canvas and worked offsite. One artist preferred egg tempera rather than fresco.