Skinhead in the context of "Hippie"

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⭐ Core Definition: Skinhead

A skinhead or skin is a member of a subculture that originated among working-class youth in London, England, in the 1960s. It soon spread to other parts of the United Kingdom, with a second working-class skinhead movement emerging worldwide in the late 1970s. Motivated by social alienation and working-class solidarity, skinheads are defined by their close-cropped or shaven heads and working-class clothing such as Dr. Martens and steel toe work boots, braces, high rise and varying length straight-leg jeans, and button-down collar shirts, usually slim fitting in check or plain. The movement reached a peak at the end of the 1960s, experienced a revival in the 1980s, and, since then, has endured in multiple contexts worldwide.

The rise to prominence of skinheads came in two waves, with the first wave taking place in the late 1960s in the UK. The first skinheads were working class youths motivated by an expression of alternative values and working class pride, rejecting both the austerity and conservatism of the 1950s–early 1960s and the more middle class or bourgeois hippie movement and peace and love ethos of the mid to late 1960s. Skinheads were instead drawn towards more working class outsider subcultures, incorporating elements of early working class mod fashion and Jamaican music and fashion, especially from Jamaican rude boys. In the earlier stages of the movement, a considerable overlap existed between early skinhead subculture, mod subculture, and the rude boy subculture found among Jamaican British and Jamaican immigrant youth, as these three groups interacted and fraternized with each other within the same working class and poor neighbourhoods in Britain. As skinheads adopted elements of mod subculture and Jamaican British and Jamaican immigrant rude boy subculture, both first and second generation skins were influenced by the rhythms of Jamaican music genres such as ska, rocksteady, and reggae, as well as sometimes African-American soul and rhythm and blues.

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Skinhead in the context of Subculture

In the sociology of culture, a subculture is a group of people within a cultural society that differentiates itself from the values of the mainstream or dominant culture to which it belongs, often maintaining some of its founding principles. Subcultures develop their own norms and values regarding cultural, political, and sexual matters. Subcultures coexist within mainstream society while keeping their specific characteristics intact.

Since its inception in the English-speaking world (primarily North America and the United Kingdom) during the 1940s–1950s, the concept and study of subcultures was developed in the academic fields of sociology, communication studies, and cultural studies. Examples of subcultures include punks, skinheads, Teddy Boys, mods, rockers, bikers, hip-hoppers, and more. Subcultures differ from countercultures.

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Skinhead in the context of Ska

Ska (/skɑː/; Jamaican Creole: skia, [skjæ]) is a music genre that originated in Jamaica in the late 1950s and was the precursor to rocksteady and reggae. It combined elements of Caribbean mento and calypso with American jazz and rhythm and blues. Ska is characterized by a walking bass line accented with rhythms on the off beat. It was developed in Jamaica in the 1960s when Stranger Cole, Prince Buster, Clement "Coxsone" Dodd, and Duke Reid formed sound systems to play American rhythm and blues and then began recording their own songs. In the early 1960s, ska was the dominant music genre of Jamaica and was popular with British mods and with many skinheads.

Music historians typically divide the history of ska into three periods: the original Jamaican scene of the 1960s; the 2 tone ska revival of the late 1970s in Britain, which fused Jamaican ska rhythms and melodies with the faster tempos and harder edge of punk rock forming ska-punk; and third-wave ska, which involved bands from a wide range of countries around the world, in the late 1980s and 1990s.

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