Sixteenth note in the context of "Harmonic rhythm"

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👉 Sixteenth note in the context of Harmonic rhythm

In music theory, harmonic rhythm, also known as harmonic tempo, is the rate at which the chords change (or progress) in a musical composition, in relation to the rate of notes. Thus a passage in common time with a stream of sixteenth notes and chord changes every measure has a slow harmonic rhythm and a fast surface or "musical" rhythm (16 notes per chord change), while a piece with a trickle of half notes and chord changes twice a measure has a fast harmonic rhythm and a slow surface rhythm (1 note per chord change). Harmonic rhythm may be described as strong or weak.

According to William Russo harmonic rhythm is, "the duration of each different chord...in a succession of chords." According to Joseph Swain (2002 p. 4) harmonic rhythm, "is simply that perception of rhythm that depends on changes in aspects of harmony." According to Walter Piston (1944), "the rhythmic life contributed to music by means of the underlying changes of harmony. The pattern of the harmonic rhythm of a given piece of music, derived by noting the root changes as they occur, reveals important and distinctive features affecting the style and texture."

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Sixteenth note in the context of Eighth note

An eighth note (American) or a quaver (British) is a musical note played for one eighth the duration of a whole note (semibreve). Its length relative to other rhythmic values is as expected—e.g., half the duration of a quarter note (crotchet), one quarter the duration of a half note (minim), and twice the value of a sixteenth note. It is the equivalent of the fusa in mensural notation.

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