Short film in the context of "His New Job"

A film festival is an organized, extended presentation of films in one or more cinemas or screening venues, usually annually and in a single city or region. Some film festivals show films outdoors or online.

Films may be of recent date and, depending on the festival's focus, can include both international and domestic releases. Some film festivals focus on a specific format of film, such as documentary, or runtime, such as short film festivals, or genre, such as horror films, category of filmmakers, such as women, production country/region or subject matter.

Behind the Screen is a 1916 American silent short comedy film written by, directed by, and starring Charlie Chaplin, and also starring Eric Campbell and Edna Purviance. Much of the film is slapstick comedy involving Chaplin manhandling large props, mishandling the control to a trap door, and engaging in a raucous pie-throwing fight which spills over into another studio where a period drama is being shot. In one scene Chaplin deftly carries 11 chairs over his back in his left hand and lifts a piano in his right hand.

The film is in the public domain.

A sound film is a motion picture with synchronized sound, or sound technologically coupled to image, as opposed to a silent film. The first known public exhibition of projected sound films took place in Paris in 1900, but decades passed before sound motion pictures became commercially practical. Reliable synchronization was difficult to achieve with the early sound-on-disc systems, and amplification and recording quality were also inadequate. Innovations in sound-on-film led to the first commercial screening of short motion pictures using the technology, which took place in 1923. Before sound-on-film technology became viable, soundtracks for films were commonly played live with organs or pianos.

The primary steps in the commercialization of sound cinema were taken in the mid-to-late 1920s. At first, the sound films which included synchronized dialogue, known as "talking pictures", or "talkies", were exclusively shorts. The earliest feature-length movies with recorded sound included only music and effects. The first feature film originally presented as a talkie (although it had only limited sound sequences) was The Jazz Singer, which premiered on October 6, 1927. A major hit, it was made with Vitaphone, which was at the time the leading brand of sound-on-disc technology. Sound-on-film, however, would soon become the standard for talking pictures.

A feature film or feature-length film (often abbreviated to feature), also called a theatrical film, is a film (motion picture, "movie" or simply “picture”) with a running time long enough to be considered the principal or sole presentation in a commercial entertainment theatrical program. The term feature film originally referred to the main, full-length film in a cinema program that included a short film and often a newsreel. Matinée programs, especially in the United States and Canada, in general, also included cartoons, at least one weekly serial and, typically, a second feature-length film on weekends. Feature films are also released on and produced by streaming platforms.

The first narrative feature film was the 70-minute The Story of the Kelly Gang (1906). Other early feature films include Les Misérables (1909), L'Inferno, Defence of Sevastopol, The Adventures of Pinocchio (1911), Oliver Twist (American version), Oliver Twist (British version), Richard III, From the Manger to the Cross, Cleopatra (1912), Raja Harishchandra (1913, First Indian Feature Film), Quo Vadis? (1913), Cabiria (1914) and The Birth of a Nation (1915).

A television special (often TV special, or rarely television spectacular) is a standalone television show which may also temporarily interrupt episodic programming normally scheduled for a given time slot. Some specials provide a full range of entertainment and informational value available via the television medium (news, drama, comedy, variety, cultural), in various formats (live television, documentary, studio production, animation, film), and in any viewing lengths (short films, feature films, miniseries, telethons).

An independent film, independent movie, indie film, or indie movie is a feature film or short film that is produced outside the major film studio system in addition to being produced and distributed by independent entertainment companies (or, in some cases, distributed by major companies). Independent films are sometimes distinguishable by their content and style, and how the filmmakers' artistic vision is realized. Sometimes, independent films are made with considerably lower budgets than major studio films.

It is not unusual for well-known actors who are cast in independent features to take substantial pay cuts for a variety of reasons: if they truly believe in the message of the film; they feel indebted to a filmmaker for a career break; their career is otherwise stalled, or they feel unable to manage a more significant commitment to a studio film; the film offers an opportunity to showcase a talent that has not gained traction in the studio system; or simply because they want to work with a particular director they admire. Examples of the latter include John Travolta and Bruce Willis taking less than their usual pay to work with Quentin Tarantino on Pulp Fiction.

Steamboat Willie is a 1928 American animated short film directed by Walt Disney and Ub Iwerks. It was produced in black-and-white by the Walt Disney Studio and was released by Pat Powers, under the name of Celebrity Productions. The cartoon is considered the public debut of Mickey Mouse and Minnie Mouse, although both appeared months earlier in a test screening of Plane Crazy and the then unreleased The Gallopin' Gaucho. Steamboat Willie is the third of Mickey's films to have been produced, but it is the first to have been distributed, because Disney had seen The Jazz Singer (1927) and became determined to produce one of the first fully synchronized sound cartoons.

Steamboat Willie is one of the first cartoons with synchronized sound, and one of the first cartoons to feature a fully post-produced soundtrack, which distinguished it from earlier sound cartoons, such as Inkwell Studios's Song Car-Tunes (1924–1926), My Old Kentucky Home (1926), and Van Beuren Studios's Dinner Time (1928). Disney believed that synchronized sound was the future of film.

The International Short Film Festival Oberhausen (Internationale Kurzfilmtage Oberhausen; formerly Westdeutsche Kulturfilmtage and then Westdeutsche Kurzfilmtage) is a German film festival for short films held in Oberhausen, North Rhine-Westphalia. Founded in 1954, it is one of the oldest short film festivals in the world and one of the major international platforms for the short form. The festival holds an International Competition, a German Competition, an International Children's and Youth Film Competition, the MuVi Award for best German music video, and, since 2009, the NRW Competition for productions from the state of North Rhine-Westphalia.

Oberhausen is known today for its extensive thematic programmes such as "Memories Can't Wait. Film without Film" (2014), "The Language of Attraction. Trailers between Advertising and the Avant-garde" (2019), "Solidarity as Disruption" (2021/22) and "Synchronize. Pan-African Film Networks" (2022). The festival also offers visitors a well-equipped video library, operates a non-commercial short-film distribution service, and owns an archive of short films from over 70 years of cinema history.