From the Manger to the Cross in the context of "Feature film"

⭐ In the context of feature films, what was a typical component of early cinema programs, especially matinee showings in the United States and Canada, alongside the main feature?




⭐ Core Definition: From the Manger to the Cross

From the Manger to the Cross or Jesus of Nazareth (often shortened to simply From the Manger to the Cross) is a 1912 American drama film directed by Sidney Olcott, written by Gene Gauntier (who also portrays Virgin Mary), and starring Robert Henderson-Bland as Jesus of Nazareth. Filmed on location in Egypt and in Palestine, it tells the story of Jesus's life, interspersed with verses from The Bible.

Kalem released the film in October 1912 to critical acclaim. It saw a re-release in February 1919 following Vitagraph Studios' acquisition of Kalem.

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👉 From the Manger to the Cross in the context of Feature film

A feature film or feature-length film (often abbreviated to feature), also called a theatrical film, is a film (motion picture, "movie" or simply “picture”) with a running time long enough to be considered the principal or sole presentation in a commercial entertainment theatrical program. The term feature film originally referred to the main, full-length film in a cinema program that included a short film and often a newsreel. Matinée programs, especially in the United States and Canada, in general, also included cartoons, at least one weekly serial and, typically, a second feature-length film on weekends. Feature films are also released on and produced by streaming platforms.

The first narrative feature film was the 70-minute The Story of the Kelly Gang (1906). Other early feature films include Les Misérables (1909), L'Inferno, Defence of Sevastopol, The Adventures of Pinocchio (1911), Oliver Twist (American version), Oliver Twist (British version), Richard III, From the Manger to the Cross, Cleopatra (1912), Raja Harishchandra (1913, First Indian Feature Film), Quo Vadis? (1913), Cabiria (1914) and The Birth of a Nation (1915).

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