Shloka in the context of "Bhagavad Gita"

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⭐ Core Definition: Shloka

Shloka or śloka (Sanskrit: श्लोक śloka, from the root श्रु śru, lit.'hear') in a broader sense, according to Monier-Williams's dictionary, is "any verse or stanza; a proverb, saying"; but in particular it refers to the 32-syllable verse, derived from the Vedic anuṣṭubh metre, used in the Bhagavad Gita and many other works of classical Sanskrit literature.

In its usual form it consists of four pādas or quarter-verses, of eight syllables each, or (according to an alternative analysis) of two half-verses of 16 syllables each. The metre is similar to the Vedic anuṣṭubh metre, but with stricter rules.

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Shloka in the context of Ramayana

The Ramayana (/rɑːˈmɑːjənə/; Sanskrit: रामायणम्, romanizedRāmāyaṇam), also known as the Valmiki Ramayana or Tulsidas Ramayana, as traditionally attributed to Valmiki, is a smriti text (also described as a Sanskrit epic) from ancient India, one of the two important epics of Hinduism known as the Itihasas, the other being the Mahabharata. The epic narrates the life of Rama, the seventh avatar of the Hindu deity Vishnu, who was a prince of Ayodhya in the kingdom of Kosala. The epic follows his fourteen-year exile to the forest urged by his father King Dasharatha, on the request of Rama's stepmother Kaikeyi; his travels across the forests in the Indian subcontinent with his wife Sita and brother Lakshmana; the kidnapping of Sita by Ravana, the king of Lanka, that resulted in bloodbath; and Rama's eventual return to Ayodhya along with Sita to be crowned as a king amidst jubilation and celebration.

Scholarly estimates for the earliest stage of the text range from the 7th–5th to 5th–4th century BCE, and later stages extend up to the 3rd century CE, although the original date of composition is unknown. It is one of the largest ancient epics in world literature and consists of nearly 24,000 shlokas (verses), divided into seven kāṇḍa (chapters). Each shloka is a couplet (two individual lines). The Ramayana belongs to the genre of Itihasa, narratives of past events (purāvṛtta), interspersed with teachings on the goals of human life.

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Shloka in the context of Valmiki

Valmiki (/vɑːlˈmki/; Sanskrit: वाल्मीकि, romanizedVālmīki, [ʋɑːlmiːki]) was a legendary poet who is celebrated as the traditional author of the epic Ramayana, based on the attribution in the text itself. He is revered as Ādi Kavi, the first poet, author of Ramayana, the first epic poem.

The Ramayana, originally written by Valmiki, consists of 24,000 shlokas and seven cantos (kaṇḍas). The Ramayana is composed of about 480,002 words, being a quarter of the length of the full text of the Mahabharata or about four times the length of the Iliad. The Ramayana tells the story of a prince, Rama of the city of Ayodhya in the Kingdom of Kosala, whose wife Sita is abducted by Ravana, the demon-king (Rakshasa) of Lanka. The scholars' estimates for the earliest stage of the text ranging from the 8th to 4th centuries BCE, and later stages extending up to the 3rd century CE, although original date of composition is unknown. As with many traditional epics, it has gone through a process of interpolations and redactions, making it impossible to date accurately.

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Shloka in the context of Guru Angad

Guru Angad (31 March 1504 – 29 March 1552; Punjabi: ਗੁਰੂ ਅੰਗਦ, pronounced [gʊɾuː əŋgəd̯ᵊ]) was the second of the ten Sikh gurus of Sikhism. After meeting Guru Nanak, the founder of Sikhism, becoming a Sikh, and serving and working with Nanak for many years, Nanak gave Lehna the name Angad ("my own limb"), and chose Angad as the second Sikh Guru.

After the death of Nanak in 1539, Angad led the Sikh tradition. He is remembered in Sikhism for adopting and formalising the Gurmukhi alphabet. He began the process of compiling the hymns of Nanak and contributed 62 or 63 Saloks of his own. Instead of his own son, he chose his disciple Amar Das as his successor and the third Guru of Sikhism.

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Shloka in the context of Śrī Sūkta

The Śrī Sūkta or Shri Sukta (Sanskrit: श्रीसूक्तम्, romanizedŚrīsūktam), also called the Shri Suktam, is the earliest recorded Sanskrit devotional hymns that revere Shri-Lakshmi, the Hindu goddess of wealth, prosperity, and fertility. The Shri Sukta is recited, with a strict adherence to Sanskrit prosody for the veneration of the goddess. This hymn is found in the Rigvedic khilanis, which are appendices to the Rigveda that can be dated back to the pre-Buddhist era.

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Shloka in the context of Pada (foot)

Pāda is the Sanskrit term for "foot" (cognate to English foot, Latin pes, Greek pous), with derived meanings "step, stride; footprint, trace; vestige, mark".The term has a wide range of applications, including any one of four parts (as it were, one foot of a quadruped), or any sub-division more generally, e.g. a chapter of a book (originally a section of a book divided in four parts).

In Sanskrit metre, pāda is the term for a quarter of a stanza. Thus in the shloka it is any of the eight-syllable sections of the 32-syllable stanza.

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Shloka in the context of Saundarya Lahari

The Saundarya Lahari (Sanskrit: सौन्दर्यलहरी, romanizedSaundaryalaharī, lit.'the waves of beauty') is a famous literary work in Sanskrit attributed to Pushpadanta as well as Adi Shankara. Some believe the first part "Ananda Lahari" was etched on mount Meru by Ganesha himself (or by Pushpadanta). Sage Gaudapada, the teacher of Shankar's teacher Govinda Bhagavadpada, memorised the writings of Pushpadanta which was carried down to Adi Shankara.Its hundred and three shlokas (verses) praise the beauty, grace and munificence of goddess Parvati in the form of Tripura Sundari. W. Norman Brown translated it to English which was published as volume 43 of the Harvard Oriental Series in 1958.

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