Shakespeare's plays in the context of "Lord Chamberlain's Men"

William Shakespeare (c. 23 April 1564 – 23 April 1616) was an English playwright, poet and actor. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of Avon" or simply "the Bard". His extant works, including collaborations, consist of some 39 plays, 154 sonnets, three long narrative poems and a few other verses, some of uncertain authorship. His plays have been translated into every major living language and are performed more often than those of any other playwright. Shakespeare remains arguably the most influential writer in the English language, and his works continue to be studied and reinterpreted.

Shakespeare was born and raised in Stratford-upon-Avon, Warwickshire. At the age of 18, he married Anne Hathaway, with whom he had three children: Susanna, and twins Hamnet and Judith. Sometime between 1585 and 1592 he began a successful career in London as an actor, writer, and part-owner ("sharer") of a playing company called the Lord Chamberlain's Men, later known as the King's Men after the ascension of King James VI of Scotland to the English throne. At age 49 (around 1613) he appears to have retired to Stratford, where he died three years later. Few records of Shakespeare's private life survive; this has stimulated considerable speculation about such matters as his physical appearance, his sexuality, his religious beliefs and even certain fringe theories as to whether the works attributed to him were written by others.

The Tragedy of Richard the Third, often shortened to Richard III, is a play by William Shakespeare, which depicts the Machiavellian rise to power and subsequent short reign of King Richard III of England. It was probably written c. 1592–1594. It is labelled a history in the First Folio, and is usually considered one, but it is sometimes called a tragedy, as in the quarto edition. Richard III concludes Shakespeare's first tetralogy which also contains Henry VI, Part 1, Henry VI, Part 2, and Henry VI, Part 3.

It is the second longest play in the Shakespearean canon by word count and the fourth longest by number of lines, as well as the longest of the First Folio, whose version of Hamlet, otherwise the longest, is shorter than its quarto counterpart. The play is often abridged for brevity, and peripheral characters removed. In such cases, extra lines are often invented or added from elsewhere to establish the nature of the characters' relationships. A further reason for abridgment is that Shakespeare assumed his audiences' familiarity with his Henry VI plays, frequently referring to them.

Mr. William Shakespeare's Comedies, Histories, & Tragedies is a collection of plays by William Shakespeare, commonly referred to by modern scholars as the First Folio, published in 1623, about seven years after Shakespeare's death. It is considered one of the most influential books ever published.

Printed in folio format and containing 36 of Shakespeare's plays, it was prepared by Shakespeare's colleagues John Heminges and Henry Condell. It was dedicated to the "incomparable pair of brethren" William Herbert, 3rd Earl of Pembroke, and his brother Philip Herbert, Earl of Montgomery (later 4th Earl of Pembroke).

The Plays of William Shakespeare was an 18th-century edition of the dramatic works of William Shakespeare, edited by Samuel Johnson and George Steevens. Johnson announced his intention to edit Shakespeare's plays in his Miscellaneous Observations on Macbeth (1745), and a full Proposal for the edition was published in 1756. The edition was finally published in 1765.

In the "Preface" to his edition, Johnson justifies trying to determine the original language of the Shakespearean plays. To benefit the reading audience, he added explanatory notes to various passages. Later editors followed Johnson's lead and sought to determine an authoritative text of Shakespeare.

William Shakespeare (1564–1616) was an English poet and playwright. He wrote or co-wrote approximately 39 plays and 154 sonnets, as well as a variety of other poems.

Claims that someone other than William Shakespeare of Stratford-upon-Avon wrote the works traditionally attributed to him were first explicitly made in the 19th century, though supporters of the theory often argue that coded assertions of alternative authorship exist in texts dating back to Shakespeare's lifetime. Typically, they say that the historical Shakespeare was merely a front to shield the identity of the real author or authors, who, for reasons such as social rank, state security, or gender, could not safely take public credit. Although these claims have attracted much public interest, all but a few Shakespeare scholars and literary historians consider them to be fringe theories with no hard evidence, and for the most part disregard them except to rebut or disparage the claims.

The basis for these theories can be traced to the 18th century, when, more than 150 years after his death, Shakespeare's status was elevated to that of the greatest writer of all time. Shakespeare's pre-eminence seemed incongruous with his humble origins and obscure life, arousing suspicion that he was not the author of the works attributed to him. At the same time, the influence of biblical higher criticism led some authors to take the view that Shakespeare's works could be the product of the collaborative efforts of many authors. Public debate and a prolific body of literature date from the mid-19th century, and numerous historical figures, including Francis Bacon, the Earl of Oxford, Christopher Marlowe and the Earl of Derby, have since been nominated as the true author.

This article presents a possible chronological listing of the composition of the plays of William Shakespeare.

Shakespearean scholars, beginning with Edmond Malone in 1778, have attempted to reconstruct the relative chronology of Shakespeare's oeuvre by various means, using external evidence (such as references to the plays by Shakespeare's contemporaries in both critical material and private documents, allusions in other plays, entries in the Stationers' Register, and records of performance and publication), and internal evidence (allusions within the plays to contemporary events, composition and publication dates of sources used by Shakespeare, stylistic analysis looking at the development of his style and diction over time, and the plays' context in the contemporary theatrical and literary milieu). Most modern chronologies are based on the work of E. K. Chambers in "The Problem of Chronology" (1930), published in Volume 1 of his book William Shakespeare: A Study of Facts and Problems.