Higher criticism in the context of "List of Shakespeare authorship candidates"

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⭐ Core Definition: Higher criticism

Historical criticism (also known as the historical-critical method (HCM) or higher criticism, in contrast to lower criticism or textual criticism) is a branch of criticism that investigates the origins of ancient texts to understand "the world behind the text" and emphasizes a process that "delays any assessment of scripture's truth and relevance until after the act of interpretation has been carried out". While often discussed in terms of ancient Jewish, Christian, and increasingly Islamic writings, historical criticism has also been applied to other religious and secular writings from various parts of the world and periods of history.

The historian applying historical criticism has several goals in mind. One is to understand what the text itself is saying in the context of its own time and place, and as it would have been intended to and received by its original audience (sometimes called the sensus literalis sive historicus, i.e. the "historical sense" or the "intended sense" of the meaning of the text). The historian also seeks to understand the credibility and reliability of the sources in question, understanding sources as akin to witnesses to the past as opposed to straightforward narrations of it. In this process, it is important to understand the intentions, motivations, biases, prejudices, internal consistency, and even the truthfulness of the sources being studied. Involuntary witnesses that did not intend to transmit a piece of information or present it to an external audience, but end up doing so nonetheless, are considered greatly valuable. All possible explanations must be considered by the historian, and data and argumentation must be used in order to rule out various options. In the context of biblical studies, an appeal to canonical texts is insufficient to settle what actually happened in biblical history. A critical inspection of the canon, as well as extra-biblical literature, archaeology, and all other available sources, is also needed. Likewise, a "hermeneutical autonomy" of the text must be respected, insofar as the meaning of the text should be found within it as opposed to being imported into it, whether that is from one's conclusions, presuppositions, or something else.

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👉 Higher criticism in the context of List of Shakespeare authorship candidates

Claims that someone other than William Shakespeare of Stratford-upon-Avon wrote the works traditionally attributed to him were first explicitly made in the 19th century, though supporters of the theory often argue that coded assertions of alternative authorship exist in texts dating back to Shakespeare's lifetime. Typically, they say that the historical Shakespeare was merely a front to shield the identity of the real author or authors, who, for reasons such as social rank, state security, or gender, could not safely take public credit. Although these claims have attracted much public interest, all but a few Shakespeare scholars and literary historians consider them to be fringe theories with no hard evidence, and for the most part disregard them except to rebut or disparage the claims.

The basis for these theories can be traced to the 18th century, when, more than 150 years after his death, Shakespeare's status was elevated to that of the greatest writer of all time. Shakespeare's pre-eminence seemed incongruous with his humble origins and obscure life, arousing suspicion that he was not the author of the works attributed to him. At the same time, the influence of biblical higher criticism led some authors to take the view that Shakespeare's works could be the product of the collaborative efforts of many authors. Public debate and a prolific body of literature date from the mid-19th century, and numerous historical figures, including Francis Bacon, the Earl of Oxford, Christopher Marlowe and the Earl of Derby, have since been nominated as the true author.

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Higher criticism in the context of Friedrich Schleiermacher

Friedrich Daniel Ernst Schleiermacher (/ˈʃlərmɑːxər/; German: [ˈfʁiːdʁɪç ˈʃlaɪɐˌmaxɐ]; 21 November 1768 – 12 February 1834) was a German Reformed theologian, philosopher, and biblical scholar known for his attempt to reconcile the criticisms of the Enlightenment with traditional Protestant Christianity. He also became influential in the evolution of higher criticism, and his work forms part of the foundation of the modern field of hermeneutics. Because of his profound effect on subsequent Christian thought, he is often called the "Father of Modern Liberal Theology" and is considered an early leader in liberal Christianity. The neo-orthodoxy movement of the twentieth century, typically (though not without challenge) seen to be spearheaded by Karl Barth, was in many ways an attempt to challenge his influence. As a philosopher he was a leader of German Romanticism.

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Higher criticism in the context of Shakespeare attribution studies

Shakespeare attribution studies is the scholarly attempt to determine the authorial boundaries of the William Shakespeare canon, the extent of his possible collaborative works, and the identity of his collaborators. The studies, which began in the late 17th century, are based on the axiom that every writer has a unique, measurable style that can be discriminated from that of other writers using techniques of textual criticism originally developed for biblical and classical studies. The studies include the assessment of different types of evidence, generally classified as internal, external, and stylistic, of which all are further categorised as traditional and non-traditional.

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