Shades of blue in the context of "Melbourne tram route 75"

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⭐ Core Definition: Shades of blue

Varieties of the color blue may differ in hue, chroma (also called saturation, intensity, or colorfulness), or lightness (or value, tone, or brightness), or in two or three of these qualities. Variations in value are also called tints and shades, a tint being a blue or other hue mixed with white, a shade being mixed with black. A large selection of these colors is shown below.

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👉 Shades of blue in the context of Melbourne tram route 75

Melbourne tram route 75 is a tram route on the Melbourne tramway network serving the city of Melbourne in Victoria, Australia. Operated by Yarra Trams, the route is coloured light blue and extends from Vermont South to Central Pier over 22.8 kilometre of double track via Burwood Highway, Camberwell Road, Riversdale Road, Bridge Road, Flinders Street and Harbour Esplanade. It is serviced out of Camberwell depot utilising A and B class trams. It is the longest route on the network.

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Shades of blue in the context of Azure (color)

Azure is the color between cyan and blue on the spectrum of visible light. It is often described as the color of the sky on a clear day.

On the RGB color wheel, "azure" (hexadecimal #0080FF) is defined as the color at 210 degrees, i.e., the hue halfway between blue and cyan. In the RGB color model, used to create all the colors on a television or computer screen, azure is created by adding a 50% of green light to a 100% of blue light.

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Shades of blue in the context of Jasperware

Jasperware, or jasper ware, is a type of pottery first developed by Josiah Wedgwood in the 1770s. Usually described as stoneware, it has an unglazed matte "biscuit" finish and is produced in a number of different colours, of which the most common and best known is a pale blue that has become known as "Wedgwood blue". Relief decorations in contrasting colours (typically in white but also in other colours) are characteristic of jasperware, giving a cameo effect. The reliefs are produced in moulds and applied to the ware as sprigs.

After several years of experiments, Wedgwood began to sell jasperware in the late 1770s, at first as small objects, but from the 1780s adding large vases. It was extremely popular, and after a few years many other potters devised their own versions. Wedgwood continues to make it into the 21st century. The decoration was initially in the fashionable Neoclassical style, which was often used in the following centuries, but it could be made to suit other styles. Wedgwood turned to leading artists outside the usual world of Staffordshire pottery for designs. High-quality portraits, mostly in profile, of leading personalities of the day were a popular type of object, matching the fashion for paper-cut silhouettes. The wares have been made into a great variety of decorative objects, but not typically as tableware or teaware. Three-dimensional figures are normally found only as part of a larger piece, and are typically in white. Teawares are usually glazed on the inside.

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Shades of blue in the context of Tints and shades

In color theory, a tint is a mixture of a color with white, which increases lightness, while a shade is a mixture with black, which increases darkness. A tone is produced either by mixing a color with gray, or by both tinting and shading. Mixing a color with any neutral color (black, gray, and white) reduces the chroma, or colorfulness, while the perceived hue can be affected slightly (see Abney effect and Bezold-Brücke shift).

In the graphic arts, especially printmaking and drawing, "tone" has a different meaning, referring to areas of continuous color, produced by various means, as opposed to the linear marks made by an engraved or drawn line.

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