Sgt. Pepper's Lonely Hearts Club Band in the context of "Paul McCartney"

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⭐ Core Definition: Sgt. Pepper's Lonely Hearts Club Band

Sgt. Pepper's Lonely Hearts Club Band (often referred to simply as Sgt. Pepper) is the eighth studio album by the English rock band the Beatles. Released on 26 May 1967, Sgt. Pepper is regarded by musicologists as an early concept album that advanced the roles of sound composition, extended form, psychedelic imagery, record sleeves, and the producer in popular music. The album had an immediate cross-generational impact and was associated with numerous touchstones of the era's youth culture, such as fashion, drugs, mysticism, and a sense of optimism and empowerment. Critics lauded the album for its innovations in songwriting, production and graphic design, for bridging a cultural divide between popular music and high art, and for reflecting the interests of contemporary youth and the counterculture.

At the end of August 1966, the Beatles had permanently retired from touring and pursued individual interests for the next three months. During a return flight to London in November, Paul McCartney had an idea for a song involving an Edwardian military band, forming the impetus of the Sgt. Pepper concept. For this project, they continued the technological experimentation marked by their previous album, Revolver (1966), this time without an absolute deadline for completion. Sessions began on 24 November at EMI Studios with compositions inspired by the Beatles' youth, but after pressure from EMI, the songs "Strawberry Fields Forever" and "Penny Lane" were released as a double A-side single in February 1967 and left off the LP. The album was then loosely conceptualised as a performance by the fictional Sgt. Pepper band, an idea that was conceived after recording the title track.

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👉 Sgt. Pepper's Lonely Hearts Club Band in the context of Paul McCartney

Sir James Paul McCartney (born 18 June 1942) is an English musician. He gained fame with the Beatles, for whom he was the bassist and keyboardist, and shared primary songwriting and lead vocal duties with John Lennon. McCartney is known for his melodic approach to bass-playing, versatile tenor vocal range and musical eclecticism, exploring genres ranging from pre-rock and roll pop to classical, ballads and electronica. His songwriting partnership with Lennon is the most successful in music history.

Born in Liverpool, McCartney taught himself piano, guitar, and songwriting as a teenager, having been influenced by his father, a jazz player, and rock and roll performers such as Little Richard and Buddy Holly. He began his career when he joined Lennon's skiffle group, the Quarrymen, in 1957, which evolved into the Beatles in 1960. Sometimes called "the cute Beatle", McCartney later immersed himself in the London avant-garde scene and played a key role in incorporating experimental aesthetics into the Beatles' studio productions. Starting with the 1967 album Sgt. Pepper's Lonely Hearts Club Band, he gradually became the band's de facto leader, providing creative impetus for most of their music and film projects. Many of his Beatles songs, including "And I Love Her", "Yesterday", "Eleanor Rigby" and "Blackbird", rank among the most covered songs in history. Although primarily a bassist with the Beatles, he has played a number of other instruments, including keyboards, guitars and drums, on various songs with all of his associated bands and projects.

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Sgt. Pepper's Lonely Hearts Club Band in the context of Peter Blake (artist)

Sir Peter Thomas Blake CBE RDI RA (born 25 June 1932) is an English pop artist. He co-created the sleeve design for the Beatles' 1967 album Sgt. Pepper's Lonely Hearts Club Band. His other works include the covers for two of The Who's albums, the cover of the Band Aid single "Do They Know It's Christmas?", and the Live Aid concert poster. Blake also designed the 2012 Brit Award statuette.

Blake is a prominent figure in the pop art movement. Central to his paintings is his interest in images from popular culture, which have infused his collages. In 2002 he was knighted at Buckingham Palace for his services to art.

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Sgt. Pepper's Lonely Hearts Club Band in the context of Rolling Stone's 500 Greatest Albums of All Time

"The 500 Greatest Albums of All Time" is a recurring opinion survey and music ranking of the finest albums in history, compiled by the American magazine Rolling Stone. It is based on weighted votes from selected musicians, critics, and industry figures. The first list was published in a special issue of the magazine in 2003 and a related book in 2005.

Critics have accused the lists of lending disproportionate weight to artists of a particular ethnicity and gender. In the original list, most of the selections were albums by white male rock musicians, with the top position held by the Beatles' Sgt. Pepper's Lonely Hearts Club Band (1967). In 2012, Rolling Stone published a revised edition, drawing on the original and a later survey of albums released up until the early 2000s.

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Sgt. Pepper's Lonely Hearts Club Band in the context of Lahiri Mahasaya

Shyama Charan Lahiri (30 September 1828 – 26 September 1895), best known as Lahiri Mahasaya, was an Indian yogi and guru who founded the Kriya Yoga system of Yoga. He was a disciple of Mahavatar Babaji. Lahiri Mahasaya's life was described in Paramahansa Yogananda's Autobiography of a Yogi as a demonstration of the spiritual attainment that could be achieved by a householder "living fully in the world". A part of Lahiri Mahasaya's face is pictured on the cover of The Beatles' 1967 album Sgt. Pepper's Lonely Hearts Club Band.

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Sgt. Pepper's Lonely Hearts Club Band in the context of George Martin

Sir George Henry Martin (3 January 1926 – 8 March 2016) was an English record producer, arranger, composer, conductor, and musician. He was commonly referred to as the "fifth Beatle" due to his extensive involvement in each of the Beatles' original albums. Martin's formal musical expertise and interest in novel recording practices facilitated the group's rudimentary musical education and desire for new musical sounds to record. Most of their orchestral and string arrangements were written by Martin, and he played piano or keyboards on a number of their records. Their collaborations resulted in popular, highly acclaimed records with innovative sounds, such as the 1967 album Sgt. Pepper's Lonely Hearts Club Band.

Martin's career spanned more than sixty years in music, film, television and live performance. Before working with the Beatles and other pop musicians, he produced comedy and novelty records in the 1950s and early 1960s as the head of EMI's Parlophone label, working with Peter Sellers, Spike Milligan and Bernard Cribbins, among others. In 1965, he left EMI and formed his own production company, Associated Independent Recording.

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