Serbian art refers to the visual arts of the Serbs and their nation-state Serbia. The medieval heritage includes Byzantine art, preserved in architecture, frescos and icons of the many Serbian Orthodox monasteries. In the early modern period, Serbian visual arts began to be influenced by Western art, culminating in the Habsburg monarchy in the late 18th century. The beginning of modern Serbian art is placed in the 19th century. Many Serbian monuments and works of art have been lost forever due to various wars and peacetime marginalizations.
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👉 Serbian art in the context of Migration of the Serbs (painting)
Seoba Srba (English: Migration of the Serbs) is a set of four similar oil paintings by the Serbian artist Paja Jovanović that depict Serbs, led by Archbishop Arsenije III, fleeing Old Serbia during the Great Serb Migration of 1690–91. The first was commissioned in 1895 by Georgije Branković, the Patriarch of Karlovci, to be displayed at the following year's Budapest Millennium Exhibition. In the view of the Serbian clergy, it would serve to legitimize Serb claims to religious autonomy and partial self-administration in Austria-Hungary by upholding the contention that Serbs left their homeland at the behest of the Holy Roman Emperor to protect the Habsburg monarchy's borders.
Measuring 380 by 580 centimetres (150 by 230 in), the first painting was completed in 1896, and presented to Patriarch Georgije later that year. Dissatisfied, the Patriarch asked Jovanović to adjust his work to conform with the Church's view of the migration. Though Jovanović made the changes relatively quickly, he could not render them in time for the painting to be displayed in Budapest, and it therefore had to be unveiled at the Archbishop's palace in Sremski Karlovci. Jovanović went on to complete a total of four versions of the painting, three of which survive. The first version is on display at the patriarchate building of the Serbian Orthodox Church in Belgrade, the second at the Pančevo Museum, and the fourth at Princess Ljubica's Residence, in Belgrade. Migration of the Serbs holds iconic status in Serbian popular culture, and several authors repute it to be one of Jovanović's finest achievements.
In this Dossier
Serbian art in the context of Culture of Serbia
Serbian culture is a term that encompasses the artistic, culinary, literary, musical, political and social elements that are representative of Serbs and Serbia.
Serbian art in the context of Monastery of the Holy Archangels
The Monastery of the Holy Archangels (Serbian: Манастир Светих Архангела, romanized: Manastir Svetih Arhangela; Albanian: Manastiri i Arkangjelit të Shenjtë) is a Serbian Orthodox monastery located in Prizren, Kosovo. The monastery was founded by the Serbian Emperor Stefan Dušan (reigned 1331–1355) between 1343 and 1352 on the site of an earlier church, part of the Višegrad fortress complex. It was the burial church for Emperor Dušan, and represented the culmination of the Serbian ecclesiastical architectural style, that led to the birth of the Morava school style.
The complex, which ranges over 6,500 m², includes two churches, the main one is dedicated to the Holy Archangels (where Dušan's tomb lied), and the second one is dedicated to St. Nicholas, both built in the Rascian architectural style. The monastery was looted and destroyed after the Ottomans arrived in 1455, and in 1615 it was razed to the ground and its material was used for the construction of the Sinan Pasha Mosque, Prizren.