Sequel in the context of "Fantasia 2000"

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⭐ Core Definition: Sequel

A sequel is a work of literature, film, theatre, television, music, or video game that continues the story of, or expands upon, some earlier work. In the common context of a narrative work of fiction, a sequel portrays events set in the same fictional universe as an earlier work, usually chronologically following the events of that work.

In many cases, the sequel continues elements of the original story, often with the same characters and settings. A sequel can lead to a series, in which key elements appear repeatedly. The difference between more than one sequel and a series is somewhat arbitrary.

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Sequel in the context of Spiritual successor

A spiritual successor (sometimes called a spiritual sequel) is a product or fictional work that is similar to, or directly inspired by, another previous product or work, but (unlike a traditional prequel or sequel) does not explicitly continue the product line or media franchise of its predecessor, and is thus only a successor "in spirit". Spiritual successors often have similar themes and styles to their preceding material, but are generally a distinct intellectual property.

In fiction, the term generally refers to a work by a creator that shares similarities to one of their earlier works, but is set in a different continuity, and features distinct characters and settings. Such works may arise when licensing issues prevent a creator from releasing a direct sequel using the same copyrighted characters and names as the original.

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Sequel in the context of Prequel

A prequel is a literary, dramatic or cinematic work whose story precedes that of a previous work, by focusing on events that occur before the original narrative. A prequel is a work that forms part of a backstory to the preceding work.

The term "prequel" is a 20th-century neologism from the prefix "pre-" (from Latin prae, "before") and "sequel".

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Sequel in the context of Omoo

Omoo: A Narrative of Adventures in the South Seas is the second book by American writer Herman Melville, first published in London in 1847, and a sequel to his first South Seas narrative Typee, also based on the author's experiences in the South Pacific. After leaving the island of Nuku Hiva, the main character ships aboard a whaling vessel that makes its way to Tahiti, after which there is a mutiny and a third of the crew are imprisoned on Tahiti. In 1949, the narrative was adapted into the exploitation film Omoo-Omoo, the Shark God.

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Sequel in the context of Go Set a Watchman

Go Set a Watchman is a novel by Harper Lee that was published in 2015 by HarperCollins (US) and Heinemann (UK). Written before her only other published novel, To Kill a Mockingbird (1960), Go Set a Watchman was initially promoted as a sequel by its publishers. It is now accepted that it was a first draft of To Kill a Mockingbird, with many passages in that book being used again.

The title comes from the Book of Isaiah in the Hebrew Bible: "For thus hath the Lord said unto me, Go, set a watchman, let him declare what he seeth" (Chapter 21, Verse 6), which is quoted in the book's seventh chapter by Mr. Stone, the minister character. It alludes to Jean Louise Finch's view of her father, Atticus Finch, as the moral compass ("watchman") of Maycomb, Alabama, and has a theme of disillusionment, as she discovers the extent of the bigotry in her home community. Go Set a Watchman tackles the racial tensions brewing in the South in the 1950s and delves into the complex relationship between father and daughter. It includes treatments of many of the characters who appear in To Kill a Mockingbird.

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Sequel in the context of Direct-to-video

Direct-to-video (also known as straight-to-video, made-for-video, made-for-home video, direct-to-DVD, DVD premiere, and direct-to-disc) refers to the release of a film or television series on home video formats without an initial theatrical release or television premiere. This distribution strategy was prevalent before streaming platforms came to dominate the TV and movie distribution markets.

Because sequels or prequels of larger-budget films may be released direct-to-video, review references to direct-to-video releases are often pejorative. Direct-to-video release has also become profitable for independent filmmakers and smaller companies. Some direct-to-video genre films (with a high-profile star) can generate well in excess of $50 million revenue worldwide.

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Sequel in the context of Ocean's Eleven

Ocean's Eleven is a 2001 American heist comedy film directed by Steven Soderbergh from a screenplay by Ted Griffin. The first installment in the Ocean's film trilogy, it is a remake of the 1960 Rat Pack film. The film features an ensemble cast including George Clooney, Matt Damon, Andy García, Brad Pitt, Julia Roberts, Casey Affleck, Don Cheadle, Scott Caan, Elliott Gould, Bernie Mac and Carl Reiner. The story follows friends Danny Ocean (Clooney) and Rusty Ryan (Pitt), who plan a heist of $160 million from casino owner Terry Benedict (García), the lover of Ocean's ex-wife Tess (Roberts).

Ocean's Eleven was theatrically released in the United States on December 7, 2001, by Warner Bros. Pictures. The film received positive reviews from critics and was a major box-office hit, grossing $450.7 million worldwide and becoming the fifth-highest-grossing film of 2001. Soderbergh directed two sequels, Ocean's Twelve in 2004 and Ocean's Thirteen in 2007. Ocean's 8, a spin-off with an all-female lead cast, was released in 2018.

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Sequel in the context of Patriot Games (film)

Patriot Games is a 1992 American action thriller film directed by Phillip Noyce and based on Tom Clancy's 1987 novel of the same name. It is a sequel to the 1990 film The Hunt for Red October, part of a series of films featuring Clancy's character Jack Ryan, but with different actors in the leading roles. Harrison Ford stars as Jack Ryan and Anne Archer as his wife, and James Earl Jones reprises his role as Admiral James Greer. The cast also includes Sean Bean, Patrick Bergin, Thora Birch, Samuel L. Jackson, James Fox, and Richard Harris.

During production, Clancy repeatedly voiced his displeasure with his understanding of the script, in particular details of technical items to be shown onscreen and the 49-year-old Ford conflicting with his vision of Jack Ryan's age, but publicly stated his satisfaction once he actually saw a cut of the film a few weeks before it was released.

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Sequel in the context of Harry Potter and the Order of the Phoenix (film)

Harry Potter and the Order of the Phoenix is a 2007 fantasy film directed by David Yates from a screenplay by Michael Goldenberg. It is based on the 2003 novel Harry Potter and the Order of the Phoenix by J. K. Rowling. It is the sequel to Harry Potter and the Goblet of Fire (2005) and the fifth instalment in the Harry Potter film series. The film stars Daniel Radcliffe as Harry Potter, alongside Rupert Grint and Emma Watson as Harry's best friends Ron Weasley and Hermione Granger respectively. Its story follows Harry's fifth year at Hogwarts School of Witchcraft and Wizardry as the Ministry of Magic is in denial of Lord Voldemort's return.

Filming took place in England and Scotland for exterior locations and Leavesden Film Studios in Watford for interior locations from February to November 2006, with a one-month break in June. Post-production on the film continued for several months afterwards to add in visual effects. The film's budget was reportedly between £75 and 100 million ($150–200 million).

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Sequel in the context of Expanded universe

The term expanded universe, sometimes called an extended universe, is generally used to denote the "extension" of a media franchise (like a television program or a series of feature films) with other media, generally comics and original novels. This typically involves new stories for existing characters already developed within the franchise, but in some cases entirely new characters and complex mythology are developed. This is not necessarily the same as an adaptation, which is a retelling of the same story that may or may not adhere to the accepted canon. It is contrasted with a sequel that merely continues the previous narrative in a linear sequence. Nearly every media franchise with a committed fan base has some form of expanded universe.

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