Semonides in the context of "Misogyny"

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⭐ Core Definition: Semonides

Semonides of Amorgos (/sɪˈmɒnɪˌdz/; Ancient Greek: Σημωνίδης ὁ Ἀμοργῖνος, variantly Σιμωνίδης; fl. 7th century BC) was a Greek iambic and elegiac poet who is believed to have lived during the seventh century BC. Fragments of his poetry survive as quotations in other ancient authors, the most extensive and well known of which is a satiric account of different types of women which is often cited in discussions of misogyny in Archaic Greece. The poem takes the form of a catalogue, with each type of woman represented by an animal whose characteristics—in the poet's scheme—are also characteristic of a large body of the female population.

Other fragments belong to the registers of gnomic poetry and wisdom literature in which the Hesiodic Works and Days and the Theognidea are classed, and reflect a similarly pessimistic view of the human experience. There is also evidence that Semonides composed the sort of personal invective found in the work of his near contemporary iambographer Archilochus and the later Hipponax, but no surviving fragment can be securely attributed to such a poem.

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Semonides in the context of Iambus (genre)

Iambus or iambic poetry was a genre of ancient Greek poetry that included but was not restricted to the iambic meter and whose origins modern scholars have traced to the cults of Demeter and Dionysus. The genre featured insulting and obscene language and sometimes it is referred to as "blame poetry". For Alexandrian editors, however, iambus signified any poetry of an informal kind that was intended to entertain, and it seems to have been performed on similar occasions as elegy even though lacking elegy's decorum. The Archaic Greek poets Archilochus, Semonides and Hipponax were among the most famous of its early exponents. The Alexandrian poet Callimachus composed "iambic" poems against contemporary scholars, which were collected in an edition of about a thousand lines, of which fragments of thirteen poems survive. He in turn influenced Roman poets such as Catullus, who composed satirical epigrams that popularized Hipponax's choliamb. Horace's Epodes on the other hand were mainly imitations of Archilochus and, as with the Greek poet, his invectives took the forms both of private revenge and denunciation of social offenders.

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