Archilochus in the context of "Iambus (genre)"

A rhapsode (Greek: ῥαψῳδός, "rhapsōidos") or, in modern usage, rhapsodist, refers to a classical Greek professional performer of epic poetry in the fifth and fourth centuries BC (and perhaps earlier). Rhapsodes notably performed the epics of Homer (Iliad and Odyssey) but also the wisdom and catalogue poetry of Hesiod and the satires of Archilochus and others. Plato's dialogue Ion, in which Socrates confronts a star player rhapsode, remains the most coherent source of information on these artists. Often, rhapsodes are depicted in Greek art, wearing their signature cloak and carrying a staff. This equipment is also characteristic of travellers in general, implying that rhapsodes were itinerant performers, moving from town to town. Rhapsodes originated in Ionia, which has been sometimes regarded as Homer's birthplace, and were also known as Homeridai, disciples of Homer, or "singers of stitched lays."

According to one meaning of the word, an epode is the third part of an ancient Greek choral ode that follows the strophe and the antistrophe and completes the movement.

The word epode is also used to refer to the second, shorter line of a two-line stanza of the kind composed by Archilochus and Hipponax in which the first line consists of a dactylic hexameter or an iambic trimeter. (See Archilochian.) It can also be used (as in Horace's Epodes) to refer to poems written in such stanzas.

Archilochian or archilochean is a term used to describe several metres of Ancient Greek and Latin poetry. The name is derived from Archilochus, whose poetry first uses the rhythms.

The Epodes (Latin: Epodi or Epodon liber; also called Iambi) are a collection of iambic poems written by the Roman poet Horace. They were published in 30 BC and form part of his early work alongside the Satires. Following the model of the Greek poets Archilochus and Hipponax, the Epodes largely fall into the genre of blame poetry, which seeks to discredit and humiliate its targets.

The 17 poems of the Epodes cover a variety of topics, including politics, magic, eroticism and food. A product of the turbulent final years of the Roman Republic, the collection is known for its striking depiction of Rome's socio-political ills in a time of great upheaval. Due to their recurring coarseness and explicit treatment of sexuality, the Epodes have traditionally been Horace's least regarded work. However, the last quarter of the 20th century saw a resurgence in scholarly interest in the collection.

The Greek Anthology (Latin: Anthologia Graeca) is a collection of poems, mostly epigrams, that span the Classical and Byzantine periods of Greek literature. Most of the material of the Greek Anthology comes from two manuscripts, the Palatine Anthology of the 10th century and the Anthology of Planudes (or Planudean Anthology) of the 14th century.

The earliest known anthology in Greek was compiled by Meleager of Gadara in the first century BC, under the title Anthologia, or "Flower-gathering." It contained poems by the compiler himself and forty-six other poets, including Archilochus, Alcaeus, Anacreon, and Simonides. In his preface to his collection, Meleager describes his arrangement of poems as if it were a head-band or garland of flowers woven together. This metaphor gave rise to the word "Anthology", meaning a collection of short literary works.

Semonides of Amorgos (/sɪˈmɒnɪˌdiːz/; Ancient Greek: Σημωνίδης ὁ Ἀμοργῖνος, variantly Σιμωνίδης; fl. 7th century BC) was a Greek iambic and elegiac poet who is believed to have lived during the seventh century BC. Fragments of his poetry survive as quotations in other ancient authors, the most extensive and well known of which is a satiric account of different types of women which is often cited in discussions of misogyny in Archaic Greece. The poem takes the form of a catalogue, with each type of woman represented by an animal whose characteristics—in the poet's scheme—are also characteristic of a large body of the female population.

Other fragments belong to the registers of gnomic poetry and wisdom literature in which the Hesiodic Works and Days and the Theognidea are classed, and reflect a similarly pessimistic view of the human experience. There is also evidence that Semonides composed the sort of personal invective found in the work of his near contemporary iambographer Archilochus and the later Hipponax, but no surviving fragment can be securely attributed to such a poem.

Tantalus (Ancient Greek: Τάνταλος Tántalos), also called Atys, was a Greek mythological figure, most famous for his punishment in Tartarus: for either revealing many secrets of the gods, for stealing ambrosia from them, or for trying to trick them into eating his son, he was made to stand in a pool of water beneath a fruit tree with low branches, with the fruit ever eluding his grasp, and the water always receding before he could take a drink. This punishment, although the best-known today, was a more unusual detail in surviving early Greek sources, where variants including a stone suspended above his head are more commonly recorded.

The ancient Greeks used the proverb "Tantalean punishment" (Ancient Greek: Ταντάλειοι τιμωρίαι: Tantáleioi timōríai), in reference to people with nice things who are unable to experience them. His name and punishment are also the source of the English word tantalize, meaning to torment with the sight of something desired but out of reach; tease by arousing expectations that are repeatedly disappointed. 'The rock of Tantalus' was also used as a proverbial expression by Pindar and Archilochus, in the same vein as the Sword of Damocles, to suggest being unable to enjoy something because attempting to do so places one in a position of perpetual imminent peril.