Selected Essays, 1917-1932 in the context of "Hamlet and His Problems"

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⭐ Core Definition: Selected Essays, 1917-1932

Selected Essays, 1917–1932 is a collection of prose and literary criticism by T. S. Eliot. Eliot's work fundamentally changed literary thinking and Selected Essays provides both an overview and an in-depth examination of his theory. It was published in 1932 by his employers, Faber & Faber, costing 12/6 (2009: £32).

In addition to his poetry, by 1932, Eliot was already accepted as one of English Literature's most important critics. In this position he was instrumental in the reviving interest in the long‐neglected Jacobean playwrights. A Dialogue on Dramatic Poetry was originally an addendum to Eliot's preface to Dryden's Essay of Dramatick Poesie (1928 reprint). Further essays include The Metaphysical Poets (1921) in which Eliot argued that a "dissociation of sensibility" set in... due to the influence of ... Milton and Dryden. Furthermore the modern poet ‘must be difficult’... ‘to force, to dislocate if necessary, language into his meaning’. Philip Massinger (1920) contains his aphorism "Immature poets imitate; mature poets steal".

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👉 Selected Essays, 1917-1932 in the context of Hamlet and His Problems

"Hamlet and His Problems" is an essay written by T. S. Eliot in 1919 that offers a critical reading of Hamlet. The essay first appeared in Eliot's The Sacred Wood: Essays on Poetry and Criticism in 1920. It was later reprinted by Faber & Faber in 1932 in Selected Essays, 1917-1932. Eliot's critique gained attention partly due to his claim that Hamlet is "most certainly an artistic failure." Eliot also popularised the concept of the objective correlative—a mechanism used to evoke emotion in an audience—in the essay. The essay is also an example of Eliot's use of what became known as new criticism.

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Selected Essays, 1917-1932 in the context of Tradition and the Individual Talent

"Tradition and the Individual Talent" (1919) is an essay written by poet and literary critic T. S. Eliot. The essay was first published in The Egoist (1919) and later in Eliot's first book of criticism, The Sacred Wood (1920). The essay is also available in Eliot's Selected Prose and Selected Essays.

While Eliot is most often known for his poetry, he also contributed to the field of literary criticism. In this dual role, he acted as a cultural critic, comparable to Sir Philip Sidney and Samuel Taylor Coleridge. "Tradition and the Individual Talent" is one of the better-known works that Eliot produced in his critic capacity. It formulates Eliot's influential conception of the relationship between the poet and preceding literary traditions.

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