Seiun Award in the context of "Yoshitaka Amano"

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👉 Seiun Award in the context of Yoshitaka Amano

Yoshitaka Amano (天野 喜孝, Amano Yoshitaka; born March 26, 1952) is a Japanese visual artist, character designer, illustrator, a scenic designer for theatre and film, and a costume designer. He began his career in 1967 at Tatsunoko Production working on anime such as Speed Racer and later became the creator of iconic and influential characters from anime such as Gatchaman, Tekkaman, Honeybee Hutch, and Casshern. In 1982 he went independent and became a freelance artist, finding success as an illustrator for numerous authors, and worked on best-selling novel series, such as The Guin Saga and Vampire Hunter D. He is also known for his commissioned illustrations for the popular video game franchise Final Fantasy.

Since the 1990s Amano has been creating and exhibiting paintings featuring his iconic retro pop icons in galleries around the world, primarily painting on aluminium box panels with acrylic and automotive paint. He is a five-time winner of the Seiun Award, and also won the 1999 Bram Stoker Award for his collaboration with Neil Gaiman, Sandman: The Dream Hunters.

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Seiun Award in the context of Thomas M. Disch

Thomas Michael Disch (February 2, 1940 – July 4, 2008) was an American science fiction writer and poet. He won the Hugo Award for Best Related Book—previously called "Best Non-Fiction Book"—in 1999. He had two other Hugo nominations and nine Nebula Award nominations to his credit, plus one win of the John W. Campbell Memorial Award, a Rhysling Award, and two Seiun Awards, among others.

In the 1960s, his work began appearing in science-fiction magazines. His critically acclaimed science fiction novels, The Genocides, Camp Concentration and 334 are major contributions to the New Wave science fiction movement. In 1996, his book The Castle of Indolence: On Poetry, Poets, and Poetasters was nominated for the National Book Critics Circle Award, and in 1999, Disch won the Nonfiction Hugo for The Dreams Our Stuff Is Made Of, a meditation on the impact of science fiction on culture, as well as the Michael Braude Award for Light Verse. Among his other nonfiction work, he wrote theatre and opera criticism for The New York Times, The Nation, and other periodicals. He published several volumes of poetry as Tom Disch.

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