Scottish literature in the context of "British literature"

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⭐ Core Definition: Scottish literature

Scottish literature is literature written in Scotland or by Scottish writers. It includes works in English, Scottish Gaelic, Scots, Brythonic, French, Latin, Norn or other languages written within the modern boundaries of Scotland.

The earliest extant literature written in what is now Scotland, was composed in Brythonic speech in the sixth century and has survived as part of Welsh literature. In the following centuries there was literature in Latin, under the influence of the Catholic Church, and in Old English, brought by Anglian settlers. As the state of Alba developed into the kingdom of Scotland from the eighth century, there was a flourishing literary elite who regularly produced texts in both Gaelic and Latin, sharing a common literary culture with Ireland and elsewhere. After the Davidian Revolution of the thirteenth century a flourishing French language culture predominated, while Norse literature was produced from areas of Scandinavian settlement. The first surviving major text in Early Scots literature is the fourteenth-century poet John Barbour's epic Brus, which was followed by a series of vernacular versions of medieval romances. These were joined in the fifteenth century by Scots prose works.

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👉 Scottish literature in the context of British literature

British literature is a body of literature from the United Kingdom of Great Britain and Northern Ireland, the Isle of Man, and the Channel Islands. This article covers British literature in the English language. Anglo-Saxon (Old English) literature is included, and there is some discussion of Anglo-Latin and Anglo-Norman literature, where literature in these languages relate to the early development of the English language and literature. There is also some brief discussion of major figures who wrote in Scots, but the main discussion is in the various Scottish literature articles.

The article Literature in the other languages of Britain focuses on the literatures written in the other languages that are, and have been, used in Britain. There are also articles on these various literatures: Latin literature in Britain, Anglo-Norman, Cornish, Guernésiais, Jèrriais, Latin, Manx, Scottish Gaelic, Welsh, etc.

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Scottish literature in the context of Edinburgh

Edinburgh is the capital city of Scotland and one of its 32 council areas. It is located in southeast Scotland and is bounded to the north by the Firth of Forth and to the south by the Pentland Hills. Edinburgh had a population of506,520 in 2020, making it the second-most-populous city in Scotland and the seventh-most-populous in the United Kingdom. The wider metropolitan area had a population of 912,490 in the same year.

Recognised as the capital of Scotland since at least the 15th century, Edinburgh is the seat of the Scottish Government, the Scottish Parliament, the highest courts in Scotland, and the Palace of Holyroodhouse, the official residence of the British monarch in Scotland. It is also the annual venue of the General Assembly of the Church of Scotland. The city has long been a centre of education, particularly in the fields of medicine, Scottish law, literature, philosophy, the sciences and engineering. The University of Edinburgh was founded in 1582 and is now one of three universities in the city. The financial centre of Scotland, Edinburgh was in 2020 ranked the second-largest financial centre in the United Kingdom, the fourth-largest in Europe, and the thirteenth-largest in the world in the Global Financial Centres Index.

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Scottish literature in the context of Walter Scott

Sir Walter Scott, 1st Baronet (15 August 1771 – 21 September 1832), was a Scottish novelist, poet and historian. Many of his works remain classics of European and Scottish literature, notably the novels Ivanhoe (1819), Rob Roy (1817), Waverley (1814), Old Mortality (1816), The Heart of Mid-Lothian (1818), and The Bride of Lammermoor (1819), along with the narrative poems Marmion (1808) and The Lady of the Lake (1810). He greatly influenced European and American literature.

As an advocate and legal administrator by profession, he combined writing and editing with his daily work as Clerk of Session and Sheriff-Depute of Selkirkshire. He was prominent in Edinburgh's Tory establishment, active in the Highland Society, long time a president of the Royal Society of Edinburgh (1820–1832), and a vice president of the Society of Antiquaries of Scotland (1827–1829). His knowledge of history and literary facility equipped him to establish the historical novel genre as an exemplar of European Romanticism. He became a baronet of Abbotsford in the County of Roxburgh on 22 April 1820; the title became extinct upon his son's death in 1847.

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Scottish literature in the context of Catholic Church in Scotland

The Catholic Church in Scotland, overseen by the Scottish Bishops' Conference, is part of the worldwide Catholic Church headed by the Pope. Christianity first arrived in Roman Britain and was strengthened by the conversion of the Picts through both the Hiberno-Scottish mission and Iona Abbey. After being firmly established in Scotland for nearly a millennium and contributing enormously to Scottish literature and culture, the Catholic Church was outlawed by the Scottish Reformation Parliament in 1560. Multiple uprisings in the interim failed to reestablish Catholicism or to legalise its existence. Even today, the Papal Jurisdiction Act 1560, while no longer enforced, still remains on the books.

Throughout the nearly three centuries of religious persecution and disenfranchisement between 1560 and 1829, many students for the priesthood went abroad to study while others remained in Scotland and, in what is now termed underground education, attended illegal seminaries. An early seminary upon Eilean Bàn in Loch Morar was moved during the Jacobite rising of 1715 and reopened as Scalan seminary in Glenlivet. After multiple arson attacks by government troops, Scalan was rebuilt in the 1760s by Bishop John Geddes, who later became Vicar Apostolic of the Lowland District, a close friend of national poet Robert Burns, and a well-known figure in the Edinburgh intelligentsia during the Scottish Enlightenment.

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Scottish literature in the context of Robert Burns

Robert Burns (25 January 1759 – 21 July 1796), also known familiarly as Rabbie Burns, was a Scottish poet and lyricist. He is widely regarded as the national poet of Scotland and is celebrated worldwide. He is the best known of the poets who have written in the Scots language, although much of his writing is in a "light Scots dialect" of English, accessible to an audience beyond Scotland. He also wrote in standard English, and in these writings his political or civil commentary is often at its bluntest.

He is regarded as a pioneer of the Romantic movement, and after his death he became a great source of inspiration to the founders of both liberalism and socialism, and a cultural icon in Scotland and among the Scottish diaspora around the world. Celebration of his life and work became almost a national charismatic cult during the 19th and 20th centuries, and his influence has long been strong on Scottish literature. In 2009 he was chosen as the greatest Scot by the Scottish public in a vote run by Scottish television channel STV.

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Scottish literature in the context of Literature in the other languages of Britain

In addition to English, literature has been written in a wide variety of other languages in Britain, that is the United Kingdom, the Isle of Man and the Channel Islands (the Isle of Man and the Bailiwicks of Guernsey and Jersey are not part of the United Kingdom, but are closely associated with it, being British Crown Dependencies). This includes literature in Scottish Gaelic, Welsh, Latin, Cornish, Anglo-Norman, Guernésiais, Jèrriais, Manx, and Irish (but the last of these only in Northern Ireland after 1922). Literature in Anglo-Saxon (Old English) is treated as English literature and literature in Scots as Scottish literature.

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Scottish literature in the context of Elizabeth Montagu

Elizabeth Montagu (née Robinson; 2 October 1718 – 25 August 1800) was a British social reformer, patron of the arts, salonnière, literary critic and writer, who helped to organize and lead the Blue Stockings Society. Her parents were both from wealthy families with strong ties to the British peerage and learned life. She was sister to Sarah Scott, author of A Description of Millenium [sic] Hall and the Country Adjacent. She married Edward Montagu, a man with extensive landholdings, to become one of the richer women of her era. She devoted this fortune to fostering English and Scottish literature and to the relief of the poor.

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