Scholar-officials in the context of "Archaeology of China"

Throughout Chinese history, "Emperor" (Chinese: 皇帝; pinyin: Huángdì) was the superlative title held by the monarchs of imperial China's various dynasties. In traditional Chinese political theory, the emperor was the "Son of Heaven", an autocrat with the divine mandate to rule all under Heaven. Emperors were worshiped posthumously under a secular imperial cult. The lineage of emperors descended from a paternal family line constituted a dynasty, and succession in most cases theoretically followed agnatic primogeniture. The emperor of China was an absolute monarch, though in the late Qing reforms plans were made to move the emperor to a constitutional monarch.

During the Han dynasty, Confucianism gained sanction as the official political theory. The absolute authority of the emperor came with a variety of governing duties and moral obligations; failure to uphold these was thought to remove the dynasty's Mandate of Heaven and to justify its overthrow. In practice, emperors sometimes avoided the strict rules of succession and dynasties' purported "failures" were detailed in official histories written by their successful replacements or even later dynasties. The power of the emperor was also limited by the imperial bureaucracy, which was staffed by scholar-officials, and eunuchs during some dynasties. An emperor was also constrained by filial obligations to his ancestors' policies and dynastic traditions, such as those first detailed in the Ming-era Huang-Ming Zuxun (Ancestral Instructions).

The Song dynasty (Chinese: 宋朝; 960–1279 CE) witnessed many substantial scientific and technological advances in Chinese history. Some of these advances and innovations were the products of talented statesmen and scholar-officials drafted by the government through imperial examinations. Shen Kuo (1031–1095), author of the Dream Pool Essays, is a prime example, an inventor and pioneering figure who introduced many new advances in Chinese astronomy and mathematics, establishing the concept of true north in the first known experiments with the magnetic compass. However, commoner craftsmen such as Bi Sheng (972–1051), the inventor of movable type printing (in a form predating the printing press of Johannes Gutenberg), were also heavily involved in technical innovations.

The ingenuity of advanced mechanical engineering had a long tradition in China. The Song engineer Su Song, who constructed a hydraulically-powered astronomical clocktower, admitted that he and his contemporaries were building upon the achievements of the ancients such as Zhang Heng (78–139), an astronomer, inventor, and early master of mechanical gears whose armillary sphere was automatically rotated by a waterwheel and clepsydra timer. The application of movable type printing advanced the already widespread use of woodblock printing to educate and amuse Confucian students and the masses. The application of new weapons employing the use of gunpowder enabled the Song to ward off its militant enemies—the Liao, Western Xia, and Jin with weapons such as cannons—until its collapse to the Mongol forces of Kublai Khan in the late 13th century.

In Chinese alchemy, elixir poisoning refers to the toxic effects from elixirs of immortality that contained metals and minerals such as mercury and arsenic. The official Twenty-Four Histories record numerous Chinese emperors, nobles, and officials who died from taking elixirs to prolong their lifespans. The first emperor to die from elixir poisoning was likely Qin Shi Huang (d. 210 BCE) and the last was the Yongzheng Emperor (d. 1735 CE). Despite common knowledge that immortality potions could be deadly, fangshi and Daoist alchemists continued the elixir-making practice for two millennia.