Satan in the context of "Prosecutor"

Judas Iscariot (/ˈdʒuːdəs ɪˈskæriət/; Biblical Greek: Ἰούδας Ἰσκαριώτης, romanized: Ioúdas Iskariṓtēs; c. 3 AD – c. 30 to 33 AD) was, according to Christianity's four canonical gospels, one of the original Twelve Apostles of Jesus Christ. Judas betrayed Jesus to the Sanhedrin in the Garden of Gethsemane, in exchange for thirty pieces of silver, by kissing him on the cheek and addressing him as "master" to reveal his identity in the darkness to the crowd who had come to arrest him. In modern times, his name is often used synonymously with betrayal or treason.

The Gospel of Mark gives no motive for Judas's betrayal but does present Jesus's predicting it at the Last Supper, an event also described in all the other gospels. The Gospel of Matthew 26:15 states that Judas committed the betrayal in exchange for thirty pieces of silver. The Gospel of Luke 22:3 and the Gospel of John 13:2 and 13:27 suggest that he was possessed by Satan. According to Matthew 27:1–10, after learning that Jesus was to be crucified, Judas attempted to return the money he had been paid for his betrayal to the chief priests and hanged himself. The priests used the money to buy a field to bury strangers in, which was called the "Field of Blood" because it had been bought with blood money. Acts of the Apostles 1:18 quotes Peter as saying that Judas used the money to buy the field himself, and he "[fell] headlong ... burst asunder in the midst, and all his bowels gushed out." His place among the Twelve Apostles was later filled by Matthias.

John Milton (9 December 1608 – 8 November 1674) was an English poet, polemicist, and civil servant. His 1667 epic poem Paradise Lost was written in blank verse and included 12 books, written in a time of immense religious flux and political upheaval. It addressed the fall of man, including the temptation of Adam and Eve by the fallen angel Satan, and God's expulsion of them from the Garden of Eden. Paradise Lost elevated Milton's reputation as one of history's greatest poets. He also served as a civil servant for the Commonwealth of England under its Council of State and later under Oliver Cromwell.

Milton achieved fame and recognition during his lifetime. His celebrated Areopagitica (1644) condemning pre-publication censorship is among history's most influential and impassioned defences of freedom of speech and freedom of the press. His desire for freedom extended beyond his philosophy and was reflected in his style, which included his introduction of new words to the English language, coined from Latin and Ancient Greek. He was the first modern writer to employ unrhymed verse outside of the theatre or translations.

Paradise Lost is an epic poem in blank verse by the English poet John Milton (1608–1674). The poem concerns the biblical story of the fall of man: the temptation of Adam and Eve by the fallen angel Satan and their expulsion from the Garden of Eden. The first version, published in 1667, consists of ten books with over ten thousand lines of verse. A second edition followed in 1674, arranged into twelve books (in the manner of Virgil's Aeneid) with minor revisions throughout. It is considered to be Milton's masterpiece, and it helped solidify his reputation as one of the greatest English poets of all time.

At the heart of Paradise Lost are the themes of free will and the moral consequences of disobedience. Milton seeks to "justify the ways of God to men," addressing questions of predestination, human agency, and the nature of good and evil. The poem begins in medias res, with Satan and his fallen angels cast into Hell after their failed rebellion against God. Milton's Satan, portrayed with both grandeur and tragic ambition, is one of the most complex and debated characters in literary history, particularly for his perceived heroism by some readers.

The Woman of the Apocalypse (or the woman clothed with the sun, Greek: γυνὴ περιβεβλημένη τὸν ἥλιον; Latin: Mulier amicta sole) is a figure–often considered to be a reference to the Virgin Mary in Catholic theology–described in Chapter 12 of the Book of Revelation (written c. AD 95).

The woman gives birth to a male child who is threatened by a dragon, identified as the Devil and Satan, who intends to devour the child as soon as he is born. When the child is taken to heaven, the woman flees on eagle’s wings into the wilderness at a "place prepared of God" for 1,260 days. This leads to a "War in Heaven" in which the angels cast out the dragon. The dragon attacks the woman, but the woman escapes on her wings for "a time, times and a time and a half". The dragon then attacks her again with a flood of water from his mouth, which is subsequently swallowed by earth. Frustrated, the dragon initiates war on "the remnant of her seed", identified as the righteous followers of Christ.The Woman of the Apocalypse is widely identified as the Virgin Mary. Some Catholic commentaries, such as Thomas Haydock's Catholic Bible Commentary (1859), allow for the interpretation of the woman as either the Church or Mary. The commentary of the New American Bible states that "The woman adorned with the sun, the moon, and the stars (images taken from Genesis 37:9–10) symbolizes God’s people in the Old and the New Testament. The Israel of old gave birth to the Messiah (Rev 12:5) and then became the new Israel, the church, which suffers persecution by the dragon (Rev. 12:6, 13–17); cf. Is. 50:1; 66:7; Jer. 50:12."

Serpents (Hebrew: נָחָשׁ, romanized: nāḥāš) are referred to in both the Hebrew Bible and the New Testament. The symbol of a serpent or snake played important roles in the religious traditions and cultural life of ancient Greece, Egypt, Mesopotamia, and Canaan. The serpent was a symbol of evil power and chaos from the underworld as well as a symbol of fertility, life, healing, and rebirth.

Nāḥāš (נחש‎), Hebrew for "snake", is also associated with divination, including the verb form meaning "to practice divination or fortune-telling". Nāḥāš occurs in the Torah to identify the serpent in the Garden of Eden. Throughout the Hebrew Bible, it is also used in conjunction with seraph to describe vicious serpents in the wilderness]. The tannin, a dragon monster, also occurs throughout the Hebrew Bible. In the Book of Exodus, the staves of Moses and Aaron are turned into serpents, a nāḥāš for Moses, a tannin for Aaron. In the New Testament, the Book of Revelation makes use of ancient serpent and the Dragon several times to identify Satan or the Devil (Revelation 12:9; 20:2). The serpent is most often identified with the hubristic Satan, and sometimes with Lilith.

The Beast (Koine Greek: Θηρίον, Thērion) may refer to one of three beasts described in the Book of Revelation.

Revelation 12-13 describes these three beasts as follows:

Arma Christi ("weapons of Christ"), or the Instruments of the Passion, are the objects associated with the Passion of Jesus Christ in Christian symbolism and art. They are seen as arms in the sense of heraldry, and also as the weapons Christ used to achieve his conquest over Satan. There is a group, at a maximum of about 20 items, which are frequently used in Christian art, especially in the Late Middle Ages. Typically, they surround either a cross or a figure of Christ of the Man of Sorrows type, either placed around the composition, or held by angels.

Michael, also called Archangel Michael or Michael the Taxiarch, is an archangel and the warrior of God in Christianity, Islam, and Judaism. The earliest surviving mentions of his name are in third- and second-century BC Jewish works, often but not always apocalyptic, where he is the chief of the angels and archangels, and he is the guardian prince of Israel and is responsible for the care of the people of Israel. Christianity conserved nearly all the Jewish traditions concerning him, and he is mentioned explicitly in Revelation 12:7–12, where he does battle with Satan, and in the Epistle of Jude, where the archangel and the devil dispute over the body of Moses.

The Codex Gigas ("Giant Book"; Czech: Obří kniha) is the largest extant medieval illuminated manuscript in the world, at a length of 92 cm (36 in). It is a Romanesque Latin Bible, with other texts, some secular, added in the second half of the book. Very large illuminated bibles were typical of Romanesque monastic book production, but even among these, the page-size of the Codex Gigas is exceptional. The manuscript is also known as the Devil's Bible due to its highly unusual full-page portrait of Satan, the Devil, and the legend surrounding the book's creation. Apart from the famous page with an image of the Devil, the book is not very heavily illustrated with figurative miniatures, compared to other grand contemporary Bibles.

The manuscript was created in the early 13th century in the Benedictine monastery of Podlažice in Chrast, Bohemia, now a region in the modern-day Czech Republic. The manuscript contains the complete Latin Bible in the Vulgate version, as well as other popular works, all written in Latin. Between the Old and New Testaments is a selection of other popular medieval reference works: Flavius Josephus's Antiquities of the Jews and The Jewish War, Isidore of Seville's encyclopedia Etymologiae, the chronicle of Cosmas of Prague (Chronica Boemorum), and medical works: an early version of the Ars medicinae compilation of treatises, and two books by Constantine the African.