Sarasvati in the context of "Rivers in Hinduism"

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⭐ Core Definition: Sarasvati

Saraswati (Sanskrit: सरस्वती, IAST: Sarasvatī), also spelled as Sarasvati, is one of the principal goddesses in Hinduism, revered as the goddess of knowledge, education, learning, arts, speech, poetry, music, creativity, purification, language and culture. Together with the goddesses Lakshmi and Parvati, she forms the trinity of chief goddesses, known as the Tridevi. Saraswati is a pan-Indian deity, venerated not only in Hinduism but also in Jainism and Buddhism.

She is one of the prominent goddesses in the Vedic tradition (1500 to 500 BCE) who retains her significance in later Hinduism. In the Vedas, her characteristics and attributes are closely connected with the Saraswati River, making her one of the earliest examples of a river goddess in Indian tradition. As a deity associated with a river, Saraswati is revered for her dual abilities to purify and to nurture fertility. In later Vedic literature, particularly the Brahmanas, Saraswati is increasingly identified with the Vedic goddess of speech, Vac, and eventually, the two merge into the singular goddess known in later tradition. Over time, her connection to the river diminishes, while her association with speech, poetry, music, and culture becomes more prominent. In classical and medieval Hinduism, Saraswati is primarily recognized as the goddess of learning, arts and poetic inspiration, and as the inventor of the Sanskrit language. She is linked to the creator god Brahma, either as his creation or consort. In the latter role, she represents his creative power (Shakti), giving reality a unique and distinctly human quality. She becomes linked with the dimension of reality characterized by clarity and intellectual order. Within the goddess-oriented Shaktism tradition, Saraswati is a key figure and venerated as the creative aspect of the Supreme Goddess. She is also significant in certain Vaishnava traditions, where she serves as one of Vishnu's consorts and assists him in his divine functions. Despite her associations with these male deities, Saraswati also stands apart as an independent goddess in the pantheon, widely worshipped as a celibate goddess, without a consort.

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Sarasvati in the context of Mahadevi

Mahadevi (Sanskrit: महादेवी, IAST: Mahādevī), also referred to as Devi, Mahamaya and Adi Parashakti, is the supreme goddess in Hinduism. According to the goddess-centric sect Shaktism, all Hindu gods and goddesses are considered to be manifestations of this great goddess, who is considered to be the Para Brahman or the ultimate reality.

Shaktas often worship her as Durga, also believing her to have many other forms. Mahadevi is mentioned as the Mulaprakriti (Primordial Goddess) in Shakta texts, having five primary forms—Parvati, Lakshmi, Sarasvati, Gayatri and Radha—collectively referred to as Panchaprakriti. Besides these, Goddess Tripura Sundari, a form of Devi, is often identified with the supreme goddess Mahadevi in Shaktism. Author Helen T. Boursier says: "In Hindu philosophy, both Lakshmi (primary goddess in Vaishnavism) and Parvati (primary goddess of Shaivism) are identified as manifestations of this great goddess—Mahadevi—and the Shakti or divine power".

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Sarasvati in the context of Tridevi

The Tridevi are a trinity of supreme divinity in Hinduism, joining a triad of eminent goddesses either as a feminine version of the Trimurti, or as consorts of a masculine Trimurti, depending on the denomination. This triad is typically personified by the Hindu goddesses Saraswati, Lakshmi, and Parvati. In Shaktism, these triune goddesses are the manifestations of Mula-Prakriti or Mahadevi.

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Sarasvati in the context of Bhagavathi

Bhagavatī (Devanagari: भगवती, IAST: Bhagavatī), is an Indian epithet of Sanskrit origin, used as an honorific title for goddesses in Hinduism and Buddhism. In Hinduism, it is primarily used to address the goddesses Sarasvati, Lakshmi and Parvati. In Buddhism, it is used to refer to several Mahayana Buddhist female deities, like Cundā.

The male equivalent of Bhagavatī is Bhagavān. The term is an equivalent of Devi and Ishvari.

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Sarasvati in the context of Matangi

Matangi (Sanskrit: मातङ्गी, IAST: Mātaṅgī) is a Hindu goddess. She is one of the Mahavidyas, ten Tantric goddesses and an aspect of the Hindu Divine Mother. She is considered to be the Tantric form of Sarasvati, the goddess of music and learning. Matangi governs speech, music, knowledge and the arts. Her worship is prescribed to acquire supernatural powers, especially gaining control over enemies, attracting people to oneself, acquiring mastery over the arts and gaining supreme knowledge.

Matangi is often associated with pollution, inauspiciousness and the periphery of Hindu society, which is embodied in her most popular form, known as Uchchhishta-Chandalini or Uchchhishta-Matangini. She is described as an outcaste (Chandalini) and offered left-over or partially eaten food (Uchchhishta) with unwashed hands or food after eating, both of which are considered to be impure in classical Hinduism.

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