Santiago de Cuba in the context of "Trova"

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⭐ Core Definition: Santiago de Cuba

Santiago de Cuba is the second-largest city in Cuba and the capital city of Santiago de Cuba Province. It lies in the southeastern area of the island, some 870 km (540 mi) southeast of the Cuban capital of Havana.

The municipality extends over 1,023.8 km (395.3 sq mi), and contains the communities of Antonio Maceo, Bravo, Castillo Duany, Daiquirí, El Caney, El Cobre, El Cristo, Guilera, Leyte Vidal, Moncada and Siboney.

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👉 Santiago de Cuba in the context of Trova

Trova [ˈtɾoβa] is a style of Cuban popular music originating in the 19th century. Trova was created by itinerant musicians known as trovadores who travelled around Cuba's Oriente province, especially Santiago de Cuba, and earned their living by singing and playing the guitar. According to nueva trova musician Noel Nicola, Cuban trovadors sang original songs or songs written by contemporaries, accompanied themselves on guitar, and aimed to feature music that had a poetic sensibility. This definition fits best the singers of boleros, and less well the Afrocubans singing funky sones (El Guayabero) or even guaguancós and abakuá (Chicho Ibáñez). It rules out, perhaps unfairly, singers who accompanied themselves on the piano.

Trova musicians have played an important part in the evolution of Cuban popular music. Collectively, they have been prolific as composers, and have provided a start for many later musicians whose career lay in larger groupings. Socially, they reached every community in the country, and have helped to spread Cuban music throughout the world.

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Santiago de Cuba in the context of Havana Harbor

Havana Harbor is the port of Havana, the capital of Cuba, and it is the main port in Cuba. Other port cities in Cuba include Cienfuegos, Matanzas, Manzanillo, and Santiago de Cuba.

The harbor was created from the natural Havana Bay. It is entered through a narrow inlet and divides into three main harbors: Marimelena, Guasabacoa, and Atarés.

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Santiago de Cuba in the context of Bolero

Bolero is a genre of song which originated in eastern Cuba in the late 19th century as part of the trova tradition. Unrelated to the older Spanish dance of the same name, bolero is characterized by sophisticated lyrics dealing with love. It has been called the "quintessential Latin American romantic song of the twentieth century".

Unlike the simpler, thematically diverse canción, bolero did not stem directly from the European lyrical tradition, which included Italian opera and canzone, popular in urban centers like Havana at the time. Instead, it was born as a form of romantic folk poetry cultivated by a new breed of troubadour from Santiago de Cuba, the trovadores. Pepe Sánchez is considered the father of this movement and the author of the first bolero, "Tristezas", written in 1883. Originally, boleros were sung by individual trovadores while playing guitar. Over time, it became common for trovadores to play in groups as dúos, tríos, cuartetos, etc. Thanks to the Trío Matamoros and, later, Trío Los Panchos, bolero achieved widespread popularity in Latin America, the United States and Spain. At the same time, Havana had become a fertile ground where bolero composers met to create compositions and improvise new tunes; it was the so-called filin movement, which derived its name from the English word "feeling". Many of the genre's most enduring pieces were written then and popularized in radio and cabaret performances by singers such as Olga Guillot and Elena Burke, backed by orchestras and big bands.

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Santiago de Cuba in the context of Attack on the Moncada Barracks

The Moncada Barracks were military barracks in Santiago de Cuba, Cuba named after General Guillermo Moncada, a hero of the Cuban War of Independence. On 26 July 1953, the barracks was the site of an armed attack by a small group of revolutionaries led by Fidel Castro. That day a simultaneous attack was carried out on the Carlos M. de Cespedes Barracks in Bayamo directed by Raúl Martínez Ararás by order of Castro. The attack failed and the surviving revolutionaries were imprisoned. This armed attack is widely accepted as the beginning of the Cuban Revolution. The date on which the attack took place, 26 July, was adopted by Castro as the name for his revolutionary movement, Movimiento 26 Julio (abbreviated as M-26-7), which eventually toppled the dictatorship of Fulgencio Batista on 1 January 1959.

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Santiago de Cuba in the context of Santiago de Cuba Province

Santiago de Cuba Province is the second most populated province in the island of Cuba. The largest city Santiago de Cuba is the main administrative center. Other large cities include Palma Soriano, Contramaestre, San Luis, and Songo-La Maya.

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Santiago de Cuba in the context of Oriente Province

Oriente ([oˈɾjente], "East") was the easternmost province of Cuba until 1976. The term "Oriente" is still used to refer to the eastern part of the country, which currently is divided into five different provinces.

The origins of Oriente lie in the 1607 division of Cuba into a western and eastern administration. The eastern part was governed from Santiago de Cuba and it was subordinate to the national government in Havana. In 1807, Cuba was divided into three departamentos: Occidental, Central and Oriental. This arrangement lasted until 1851, when the central department was merged back into the West. In 1878, Cuba was divided into six provinces. Oriente remained intact but was officially renamed to Santiago de Cuba Province until the name was reverted to Oriente in 1905. Fidel and Raúl Castro were born in a small town in Oriente province (Birán). The province was split in 1976 into five different provinces: Las Tunas Province, Granma Province, Holguín Province, Santiago de Cuba Province, and Guantánamo Province. This administrative change was proclaimed by Cuban Law Number 1304 of July 3, 1976, and remains in place to this day.

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Santiago de Cuba in the context of Pepe Sánchez (trova)

José "Pepe" Sánchez (19 March 1856 – 3 January 1918) was a Cuban musician, singer and composer. He is known as the father of the trova style and the creator of the Cuban bolero.

A native of Santiago de Cuba. Sánchez was originally a tailor, and later the co-owner of a copper mine, and the representative in his home town of a cloth manufacturer in Kingston, Jamaica. He moved in upper- and middle-class circles in Santiago despite being a mulatto; his work as a businessman and musician brought him recognition and acceptance.

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Santiago de Cuba in the context of Trío Matamoros

The Trío Matamoros was a Cuban trova group. It was formed in 1925 by Miguel Matamoros (8 May 1894 in Santiago de Cuba – 15 April 1971; guitar), Rafael Cueto (14 March 1900 in Santiago de Cuba – 7 August 1991; guitar) and Siro Rodríguez (9 December 1899 in Santiago de CubaRegla, 29 March 1981; maracas and claves). All three were singers and composers. The group was originally called Trio Oriental, but changed their name to Trio Matamoros in 1928 after finding that a group called Trio Oriental already existed.

The Trío Matamoros played boleros and son. They toured all Latin America and Europe and recorded in New York. In 1940 Guillermo Portabales performed with the trio. Matamoros expanded the trio into a conjunto (Conjunto Matamoros) for a trip to Mexico and hired the young Beny Moré as singer from 1945 to 1947. They recorded many 78 rpm records and LPs; some of their output is available on CDs. The group were critically acclaimed for the harmony of their voices, and the quality of the lyrics.

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Santiago de Cuba in the context of Olga Guillot

Olga Guillot (October 9, 1922 – July 12, 2010) was a Cuban singer who was known as the "Queen of Bolero". She was a native of Santiago de Cuba.

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