San Francisco Tape Music Center in the context of "Pauline Oliveros"

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⭐ Core Definition: San Francisco Tape Music Center

The San Francisco Tape Music Center, or SFTMC, was founded in the summer of 1962 by composers Ramon Sender and Morton Subotnick as a collaborative, "non profit corporation developed and maintained" by local composers working with tape recorders and other novel compositional technologies, which functioned both as an electronic music studio and concert venue. Composer Pauline Oliveros, artist Tony Martin and technician William Maginnis eventually joined the SFTMC.

The SFTMC was an active and important hub for experimental music and interdisciplinary art in the Bay Area from 1962 to 1966.

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👉 San Francisco Tape Music Center in the context of Pauline Oliveros

Pauline Oliveros (May 30, 1932 – November 24, 2016) was an American composer and accordionist.

Considered a central figure in the development of post-war experimental and electronic music, she was a founding member of the San Francisco Tape Music Center in the early 1960s, and served as its director. She taught music at Mills College, the University of California, San Diego (UCSD), Oberlin Conservatory of Music, and Rensselaer Polytechnic Institute. Oliveros authored books, formulated new music theories, and investigated new ways to focus attention on music including her concepts of "deep listening" and "sonic awareness", drawing on metaphors from cybernetics. She was an Eyebeam resident.

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San Francisco Tape Music Center in the context of Terry Riley

Terrence Mitchell Riley (born June 24, 1935) is an American composer and performing musician best known as a pioneer of the minimalist school of composition. Influenced by jazz and Indian classical music, his work became notable for its innovative use of repetition, tape music techniques, improvisation, and delay systems. His best known works are the 1964 composition In C and the 1969 album A Rainbow in Curved Air, both considered landmarks of minimalism and important influences on experimental music, rock, and contemporary electronic music. Subsequent works such as Shri Camel (1980) explored just intonation.

Raised in Redding, California, Riley began studying composition and performing solo piano in the 1950s. He befriended and collaborated with composer La Monte Young, and later became involved with both the San Francisco Tape Music Center and Young's New York collective, the Theatre of Eternal Music. A three-record deal with CBS in the late 1960s brought his work to wider audiences. In 1970, he began intensive studies under Hindustani singer Pandit Pran Nath, whom he often accompanied in performance. He has collaborated frequently throughout his career, most extensively with chamber ensemble the Kronos Quartet and his son, guitarist Gyan Riley.

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