Michael, also called Archangel Michael or Michael the Taxiarch, is an archangel and the warrior of God in Christianity, Islam, and Judaism. The earliest surviving mentions of his name are in third- and second-century BC Jewish works, often but not always apocalyptic, where he is the chief of the angels and archangels, and he is the guardian prince of Israel and is responsible for the care of the people of Israel. Christianity conserved nearly all the Jewish traditions concerning him, and he is mentioned explicitly in Revelation 12:7–12, where he does battle with Satan, and in the Epistle of Jude, where the archangel and the devil dispute over the body of Moses.
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Saint Michael in the context of National personification
A national personification is an anthropomorphic personification of a state or the people(s) it inhabits. It may appear in political cartoons and propaganda. In the first personifications in the Western World, warrior deities or figures symbolizing wisdom were used (for example the goddess Athena in ancient Greece), to indicate the strength and power of the nation. Some personifications in the Western world often took the Latin name of the ancient Roman province. Examples of this type include Britannia, Germania, Hibernia, Hispania, Lusitania, Helvetia and Polonia.
Examples of personifications of the Goddess of Liberty include Marianne, the Statue of Liberty (Liberty Enlightening the World), and many examples of United States coinage. Another ancient model was Roma, a female deity who personified the city of Rome and her dominion over the territories of the Roman Empire. Roma was probably favoured by Rome's high-status Imperial representatives abroad, rather than the Roman populace at large. In Rome, the Emperor Hadrian built and dedicated a gigantic temple to her as Roma Aeterna ("Eternal Rome"), and to Venus Felix, ("Venus the Bringer of Good Fortune"), emphasising the sacred, universal and eternal nature of the empire. Examples of representations of the everyman or citizenry in addition to the nation itself are Deutscher Michel, John Bull and Uncle Sam.
Saint Michael in the context of Linlithgow
Linlithgow (/lɪnˈlɪθɡoʊ/ lin-LITH-goh; Scots: Lithgae; Scottish Gaelic: Gleann Iucha) is a town in West Lothian, Scotland. It was historically West Lothian's county town, reflected in the county's historical name of Linlithgowshire. An ancient town, it lies in the Central Belt on a historic route between Edinburgh and Falkirk beside Linlithgow Loch. The town is situated approximately 20 miles (32 km) west of Edinburgh.
During the medieval period, the town grew in prominence as a royal burgh and residence around Linlithgow Palace. In later centuries, Linlithgow became a centre of industry in leather making and other materials, before developing rapidly in the Victorian era with the opening of the Union Canal in the 1820s and the arrival of the railway in 1842. Linlithgow was the former county town of the county but the Council now resides in nearby Livingston. Today Linlithgow has less industry and the economy of the town centre is focused on hospitality, heritage and tourism services. Linlithgow's patron saint is Saint Michael and its motto is St. Michael is kind to strangers. A statue of the saint holding the burgh coat of arms stands on the High Street. In 2019, the population of the Linlithgow ward (which includes the town and greater area) was 16,499.
Saint Michael in the context of San Miguel de Lillo
St. Michael of Lillo (Spanish: San Miguel de Lillo, Asturian: Samiguel de Lliño) is a Roman Catholic church built on the Naranco mount, near the Church of Santa María del Naranco in Asturias. It was completed in 842 and it was consecrated by Ramiro I of Asturias and his wife Paterna in the year 848. It was originally dedicated to St. Mary until this worship passed to the nearby palace in the 12th century, leaving this church dedicated to Saint Michael. It has been a UNESCO World Heritage Site since 1985.
It originally had a basilica ground plan, three aisles with a barrel vault, although part of the original structure has disappeared as the building collapsed during the 12th or 13th century. Nowadays, it conserves its western half from that period, together with several elements in the rest of the church such as the fantastic jambs in the vestibule or the extraordinary lattice on the window of the southern wall, sculpted from one single piece of stone.
Saint Michael in the context of Orsanmichele
Orsanmichele, Or San Michele or Orsammichele (pronounced [orsammiˈkɛːle]; from the Tuscan contraction of Orto di San Michele, "orchard" or "kitchen garden of Saint Michael") is a communal building and church in the Italian city of Florence. Its uniqueness as an architectural construction lies not only in its multifunctionality as grain market, granary and oratory. The tabernacle by Orcagna, called the high point of Italian Gothic sculpture, and the sculptural program running around all four façades, depicting the patron saints of the major Florentine guilds, are extraordinary. It encompasses several firsts in marble and bronze, and lasting masterpieces of the Early Renaissance by Lorenzo Ghiberti, Donatello and Nanni di Banco.